Occupy the Academy of American Poets
Unsurprisingly,
Robert Hass paints a glowing self-portrait in his NY Times article, “Poet-Bashing Police”
(http://www.nytimes.com/2011/11/20/opinion/sunday/at-occupy-berkeley-beat-poets-has-new-meaning.html?_r=1&scp=2&sq=robert%20hass&st=cse), regarding the spread of the Occupy movement to the University of California, Berkeley, and the police violence against protesters. Hass and wife (Brenda Hillman), both established-order poets, decided to step out of their comfy wainscoted offices to check it out and were kicked around a bit.
(http://www.nytimes.com/2011/11/20/opinion/sunday/at-occupy-berkeley-beat-poets-has-new-meaning.html?_r=1&scp=2&sq=robert%20hass&st=cse), regarding the spread of the Occupy movement to the University of California, Berkeley, and the police violence against protesters. Hass and wife (Brenda Hillman), both established-order poets, decided to step out of their comfy wainscoted offices to check it out and were kicked around a bit.
Hass has it quite easy: a sinecure of
tenure at Berkeley as poet professor. As
former Poet Laureate of the US Library of Congress—how many asses did he have
to kiss and blind eyes did he have to turn to rise to that level?—and
chancellor of the Academy of American Poets, he is clearly a ladder-climbing
poet, as opposed to a daring Emersonian rude-truth telling one.
In
the article, which wouldn’t have been published if authored by an unsinecured,
unknown poet, Hass mentions the Free Speech Movement back in the 60s at
Berkeley, as if somehow that rubbed off positively on him. The established-order poetry and academic
machine, upon which he proudly sucks the teat, however, detests free speech and
expression, especially when such freedom might expose the intrinsic corruption within
that machine and/or endanger its funding.
Why
didn’t Hass mention in his article the speech-restricting codes in place throughout
the University of California (see http://thefire.org/spotlight/codes/220.html)? Did he help enact them?
Why
did he prove entirely apathetic when I contacted him several years ago regarding
the censorship of my comments by the Academy of American Poets, not to mention
its banning me, a poet, from participating in its forums? Evidently, the Academic/Literary Industrial
Complex, with which he forms an integral part, detests free speech and
expression. Any simple experiment with
that regard will likely prove the point.
Criticism of any of its institutions and cogs will usually result in
silence and/or outright ostracizing.
That’s been the normal result regarding the numerous experiments in
democracy I’ve performed regarding the Complex.
The various blog entries on The American Dissident blog site serve as proof of the assertion.
Would
Hass stand up to protest against National Poetry Week’s refusal to list The American Dissident, the 501 c3
nonprofit literary journal of which this blog is part, with other such journals
listed? Of course not! Would he stand up to protest against the
NEA’s refusal to accord me more information, besides the vague comment “low”
and “poor” regarding its rejection of my funding request for the journal? Of course not!
It
has been my experience that ladder-climbing academic poets prefer silence when
confronted with uncomfortable truths, as in censorship and banning in their very
midst and effected by their very colleagues and friends.
Would
Hass stand up to protest against PEN’s refusal to respond to my diverse free-speech
grievances? Of course not! Would he stand up to protest against the
American Library Association’s Office of Intellectual Freedom’s refusal to
respond to my objection regarding the banning of The American Dissident by several public libraries? Of course not!
What
Hass egregiously, if not incredulously, though quite unsurprisingly, fails to
mention in his article is any reference whatsoever to the fat hand that feeds
him, that is, to the university administrators who evidently must have
requested police presence at Berkeley in the first place. It is my humble opinion that famous actors,
musicians, politicians, wealthy academic writers like Cornell West and sinecured
poets like Hass ought to keep their mouths shut regarding any of the Occupy
movements. When they seek to participate
in them or opine favorably about them, they end up robbing the movements' very
credibility. When they do enter into the
fray, how can one not perceive the hypocrisy of spread the wealth and
opportunities, yeah, but not mine?
How
not to feel a bit of joy knowing that Hass was kicked around a bit on
campus? And how not to wonder if his
wife is nuts? Who else but a fruitloop
would be lecturing cops they should be at home reading to their children? Maybe she should have been at home with her
husband, having children teach THEM about the First Amendment.
The question remains: How does a self-proclaimed "activist" like Hass manage to turn a convenient blind eye to corruption and censorship in his milieu?
The answer remains: deafening silence...
As you have pointed out in the past, it appears that people do not understand what it means to be a poet ordained by the establishment (Laureate).
ReplyDeleteGreat point about the Universities speech-restricting codes and Hass' failure to mention the university administrators who requested police presence.
Another against the grain article and toon.
Great job!
Thanks much Tim! And of course Hass wil not be responding to the email I sent mentioning this blog. For Hass and others of the established order, vigorous debate, cornerstone of democracy, is to be scorned and avoided.
ReplyDeleteThe question I should have really posed was how does a purported activist turn a blind eye whenever convenient.