Michael Finch

The following essay I wrote in 2015.

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Let No Act of Censorship Go Uncriticized

FrontPage, an online right-wing journal, had rightfully been denouncing the increasing incidents of left-wing assaults on freedom of speech, especially with regards the shutting down of debate and creation of safe spaces and speech codes, on college campuses across the country from Yale to Missou, Smith,  Vasser.  

Hypocritically, its moderators (i.e., censors) also shut down debate.  Indeed, they refused to post my critical comment regarding a glowing review written by Mark Tapson, Shillman Journalism Fellow at the David Horowitz Freedom Center, of a book of poetry written by Michael Finch, Chief Operating Officer also at the David Horowitz Freedom Center.  The egregious hypocrisy of that act of censorship left me fully disgusted.  And not one person at the Horowitz Freedom Center would respond.  

What had provoked me to comment, in the first place, was the very crux of the review, as clearly stated by the reviewer:  “But as many conservative writers such as Andrew Klavan and myself have noted for years, reclaiming America means reclaiming the culture, and that means engaging in the arts.”  Contrast that statement with the rather innocuous verse presented by the reviewer, as if somehow that verse would help in “reclaiming the culture.”  Mind-boggling!

         In my initial comment, I criticized the crux statement as insufficient.  Indeed, mere “engaging in the arts” would accomplish little if anything.  What was needed was active questioning and challenging of the “arts” machine, which I’ve come to term the academic/literary establishment. The poem fragments taken from Finding Home:  Poems in Search of a Lost America clearly did not even remotely attempt that.  Note, for example:  

My mind remembers a soft, warm wind,

Sweet earth scent, and billows of clouds

In a wide prairie sky of youth’s eternal hope.

Where have you gone?

Now, how might those lines help the right-wing in “reclaiming the culture” in an effort to establish its particular forms of censorship, let alone expose the lack of objectivity, egregious hypocrisy, and especially visceral knee-jerk rejection of any criticism regarding the left-wing “arts” machine?  Here’s another verse presented by Tapson:  

Years from now when the winds blow again,

When you stare at the midnight’s blue of

The setting sun, lined mountains black against

A cobalt sky, do one thing for the one who loved you:

Think of me when your eyes gaze at the wondrous sky,

Your eyes searching the heavens for one,

When the breeze blows one last time through your hair,

Do one final thing. Think of me.

Another big problem with the “arts” machine is the M.O. of egregious backslapping and self-congratulating.  In that sense, Tapson partakes in it, promoting the poetry of his admitted “friend.”  What else is new, eh?  Frank Kotter, whose comment was not censored by the moderator censors, sums up the inanity confronting poetry today.

I have not heard such touching and meaningful prose since Paul de Lagarde. May this also usher in a new era in our nation's consciousness just as those have who come before you.  I have ordered but am disappointed to see it is not offered in hard cover—A shame as this book will be cited in history books in centuries to come.

More often when an unknown/unconnected person like me questions and challenges the “arts” machine (i.e., the academic/literary establishment), the latter will respond with proverbial deafening silence.  Imagine, for example, I had the gall recently to question and challenge the new poet laureate of Boston, Professor Danielle Legros Georges, who, as the Boston Globe headline stated, “wants to make poetry comfortable for all.”  Of course, by simply mentioning that fact here, I greatly lessen my chances of getting this essay published because it contravenes the first commandment of the “arts” machine:  thou shalt not criticize the poets!    

Because I’d sent my q&c to the student newspaper editors of Lesley University, Legros Georges’ employer, and only cc’d it to her, she called me “cowardly” in her response and wrote that if I really wanted debate then she was ready for it.  So, I wrote with that regard… and received no response!  Then days later, I wrote again, asking what happened to her will for debate.  And again, no response was ever received.  In essence, that deafening silence was the reason I’d chosen to write the student newspaper.  Deafening silence was the norm for academics when challenged.  Sadly, it was also the norm for student newspaper editors.  Considering the innocuousness of the poem fragments illustrated in Tapson’s hagiography (for the entire piece, see 

www.frontpagemag.com/fpm/260860/finding-home-poems-search-lost-america-mark-tapson),  Michael Finch should have no problem at all getting published in “arts” machine magazines like Agni, Ploughshares, and Poetry.  

Finally, Thoreau famously urged:  “Let your life be a counter friction to stop the machine.”  To that, I’d add left or right-wing machine.   And tis better to chime with Thoreau, than climb the careerist ladder in search of vacuity, that is, fame, limelight, awards, invitations, tenure, and all the other crap serving to muzzle the truly cowardly like left-wing Legros Georges and right-wing Michael Finch.  

European Court of Human Rights

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The following essay was published in the Journal of International Ethics

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Freedom of Expression, 

Ethics, and the European Court of Human Rights

In other words, my right to speak freely is less important than protecting the religious feelings of others. This should ring warning bells for my fellow citizens across the continent. We should all be extremely concerned that the rights of Muslims in Europe NOT to be offended are greater than my own rights, as a native European Christian woman, to speak freely.  I am proud to be the woman who has raised this alarm.

—Elisabeth Sabaditsch-Wolff¹

Ethics can be/is a highly subjective term.  Ethics for you, might not be ethics for me, and vice versa.  How do attempts to define the term accord it a certain degree of objectivity and reign in its evident fluidity?   What is ethics?  How does freedom of expression meld with ethics?  In fact, without the former, there can be no accountability for ethics.    

How does ethics thus relate to freedom of expression?  Can there be ethics without freedom of expression?  What happens when politics and/or other powers seek to define ethics?  Indeed, is the ethics defined in Qatar or Iran the same as that defined in America?  And is the ethics espoused by the Democrat party the same as that espoused by the Republican party (e.g., the wall as immoral… or moral)?  And so, how to define the nebulous?  Wikipedia stipulates:  

Ethics or moral philosophy is a branch of philosophy that involves systematizing, defending, and recommending concepts of right and wrong conduct.

Well, that doesn’t really help much at all.  After all, “right and wrong” are certainly not objective terms.  Is it right, for example, to outlaw female genital mutilation?  Well, a federal judge recently declared it to be wrong, that is, unconstitutional and dismissed charges against several doctors for performing it.²  And what about child marriage?  Is that ethical?  Well, the recent US Senate Report on that subject might lead one to conclude that it is not ethical.  The report mentions Naila Amin, for example, a US citizen engaged to be married when she was only eight years old, then married at 13 to her Pakistani first cousin.  Her application to bring her husband to the US was approved.  Amin stated:

He dragged me about twenty feet—the whole length of the house—by my hair.  He began kicking me in the head and it was so hard I saw stars.  My mother would watch my husband and my father kick me together in the head.³  

Google’s first result, which precedes Wikipedia, defines ethics perhaps even more simply, though again employing the term, “moral”:  

1. moral principles that govern a person's behavior or the conducting of an activity.

2. the branch of knowledge that deals with moral principles.

Defining one nebulous term, “ethics,” with another nebulous term, “moral,” simply serves to emphasize the intrinsic fluidity (vagueness) of “ethics.”  The question thus remains:  ethical according to whom or what?  Does the term even mean anything at all?  And what’s the point of making statements of ethics if they’re not adhered to?  The American Library Association, for example, argues in its Library Bill of Rights that “libraries should provide materials and information presenting all points of view,” while simultaneously not really doing anything at all to turn that noteworthy principle into a reality.  Indeed, within the ethical principle of freedom of expression, would librarians stock periodicals, for example, that criticize librarians?  In fact, the ALA’s own periodical, American Libraries Magazine, will not even publish accounts regarding libraries that do not adhere to its principles.⁴

Is there a universal declaration of ethics?  Apparently not.  However, there is a Universal Declaration of Human Rights, which was proclaimed in 1948 by the United Nations General Assembly. Its  Article 19 stipulates that

Everyone has the right to freedom of opinion and expression; this right includes freedom to hold opinions without interference and to seek, receive and impart information and ideas through any media and regardless of frontiers. ⁵

However, the UN’s International Covenant on Civil and Political Rights, adopted in 1966, seems to dilute Article 19.  Its article 20, section 2, for example, maintains that  

Any advocacy of national, racial or religious hatred that constitutes incitement to discrimination, hostility or violence shall be prohibited by law.⁶ 

“Hatred” and “hostility” can, of course, just like “ethics,” be quite subjective.  Also, many countries now dilute article 19 with their own hate-speech legislation to the point where the Article has unfortunately become but a meaningless declaration of vacuity.  Constitutional law professor Jonathan Turley has discussed a number of these laws in what he calls an “alarming rollback on free speech rights in the West.”⁷ 

The European Convention on Human Rights, which was drafted in 1950 by the Council of Europe, mirrors the ICCPR’s will to restrict freedom of expression.  Its article 10, “Freedom of Expression,” clearly mirrors article 19 of the Universal Declaration of Human Rights, but includes a restricting caveat:  

1. Everyone has the right to freedom of expression. This right shall include freedom to hold opinions and to receive and impart information and ideas without interference by public authority and regardless of frontiers. 

2. The exercise of these freedoms, since it carries with it duties and responsibilities, may be subject to such formalities, conditions, restrictions or penalties as are prescribed by law and are necessary in a democratic society, in the interests of national security, territorial integrity or public safety, for the prevention of disorder or crime, for the protection of health or morals, for the protection of the reputation or rights of others, for preventing the disclosure of information received in con dence, or for maintaining the authority and impartiality of the judiciary.⁸  

The European Court of Human Rights enforces and interprets the European Convention on Human Rights.  In a rather controversial decision, it recently decided against freedom of expression in the case of Elisabeth Sabaditsch-Wolff, who had simply stated during one of her seminars in 2009 that 

[Muhammad] liked to do it with children.  A 56-year-old and a six-year-old?  What do we call it, if it is not pedophilia?⁹

For that statement alone, Sabaditsch-Wolff was fined 480 Euros.  The ECHR thus permits ethics or lack thereof, in certain circumstances, to be excluded from questioning and challenging even when facts are simply presented.  Turley argues its decision “confirms the all-out assault on free speech that has taken hold of Europe.”⁷  Free speech or free expression tends to be the enemy of power… and also the enemy of Islamists.  Because Europe, after massive immigration from Islamic countries, now contains a large population of Muslims, blasphemy laws have essentially been reinstated long after the demise of the Age of Religious Inquisition.  

And so it has become unethical to state a fact in Europe, if that fact might be considered offensive to some people’s religious feelings.  The seven ECHR judges argued rather aberrantly that

[They] found in particular that the domestic courts comprehensively assessed the wider context of the applicant’s statements and carefully balanced her right to freedom of expression with the right of others to have their religious feelings protected, and served the legitimate aim of preserving religious peace in Austria.¹⁰

In essence, the rather nebulous concept of “preserving religious peace” in Europe now supersedes a fundamental principle of ethics:  factual truth telling.  Censorship and banning are thus becoming the new ethics today.  To evoke certain truths and uncomfortable facts has become immoral and thus unethical.  Ethics seems to be turning into a twisted euphemism for political correctness in Europe.  Canada too seems to be on this twisted pathway, thanks largely to its human rights tribunals.¹¹  

It is the First Amendment that will, hopefully, keep America from following in that darkness.  

Finally, when ethics is legally defined, as in the case of the ECHR, does that necessarily make the defined provision(s) ethical?  And for those who define and make the particular designations, like the seven ECHR judges, what makes them more ethical than those not in such positions of power?  

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1.  Douglass-Williams, Christine. “Elisabeth Sabaditsch-Wolff responds to EU court’s ruling that speech insulting Muhammad is prohibited.”  Jihad Watch.  https://www.jihadwatch.org/2018/10/elisabeth-sabaditsch-wolff-responds-to-eu-courts-ruling-that-speech-insulting-muhammad-is-prohibited.  October 27, 2018.  

2.  Stempel, Jonathan. “Judge voids U.S. female genital mutilation law.”  WSAU.  https://wsau.com/news/articles/2018/nov/20/judge-voids-us-female-genital-mutilation-law/.  11/20/2018.

3. “How the U.S. Immigration System Encourages Child Marriages.”  US Senate Report.  https://www.hsgac.senate.gov/imo/media/doc/Child%20Marriage%20staff%20report%201%209%202019%20EMBARGOED.pdf.  01/11/2019.

4.  Slone, G. Tod.  “Notes on the Office for Intellectual Constraint.  https://wwwtheamericandissidentorg.blogspot.com/2017/04/james-larue.html.  04/11/2017.  

5.  General Assembly resolution 217 A. United Nations International Bill of Human Rights.  http://www.un.org/en/ga/search/view_doc.asp?symbol=A/RES/217(III).  1948.  

6.  International Covenant on Civil and Political Rights.  United Nations Human Rights Office of the High Commissioner.  https://www.ohchr.org/en/professionalinterest/pages/ccpr.aspx. 1966.

7.  Turley, Jonathan.  https://jonathanturley.org/2018/01/03/german-politician-blocked-on-social-media-placed-under-criminal-investigation-under-new-hate-speech-law/ and https://jonathanturley.org/2012/10/14/the-death-of-free-speech/.  

8.  European Convention on Human Rights.  https://www.echr.coe.int/Documents/Convention_ENG.pdf.  

9.  Kern, Soeren. ”A Black Day for Austria.”  Gatestone Institute. 

https://www.gatestoneinstitute.org/2702/sabaditsch-wolff-appeal.  12/26/2011.  

10.  European Court of Human Rights (Press Release).  “Conviction for calling Muhammad a paedophile is not in breach of Article 10.”  10/25/2018.  

11.  Levant, Ezra.  “'Crazy' prosecutions.”  Financial Post.  https://business.financialpost.com/opinion/ezra-levant-crazy-prosecutions.  07/24/2015 and Mark Hemingway.  “Idiot’s Guide to Completely Idiotic Canadian ‘Human Rights’ Tribunals.” https://www.nationalreview.com/2008/06/idiots-guide-completely-idiotic-canadian-human-rights-tribunals-mark-hemingway/. The National Review. 06/05/ 2008.

Donald Hall Poet Laureate

The cartoon below was sketched in 2018 after Donald Hall died.   

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Bruce Bawer & David Horowitz, Right-Wing Censors

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Post Scriptum:  Somehow, I convinced FrontPage mag to finally post the comment that was censored (see below).  But then 4 days later, all of my comments, including the one below,  were CENSORED.  I took screen shots, so at least have the proof of the assertion.  Censorship is bad!  Period.  It would have been interesting to know precisely what the moderators behind the scenes discussed regarding the comment I'd posted.  But faceless censors do everything in secret.  For the poem Bawer wrote praising Horowitz and his ad hominem criticism of the short comment I first posted, see https://www.frontpagemag.com/fpm/2020/06/blitz-poem-bruce-bawer/.  From 19 comments, suddenly there were only 12.  I have been Soviet-like erased by David Horowitz and Bruce Bawer...

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 G. Tod Slone • 2 days ago

Below is the "removed" comment I made yesterday. I repost in case someone deleted it accidentally. Comments should not be censored! Comments ought to provoke vigorous debate, cornerstone of a thriving democracy. Need I remind Horowitz of that cornerstone?

Dare criticize the left and it will mock you! Dare criticize the right and it too will mock you!
First, I commend Frontpage for NOT censoring my comment. It did, however, censor a comment I’d left five years ago regarding another backslapping publicist article a la Bawer. (see https://wwwtheamericandissi... and https://wwwtheamericandissi....

BTW, I do not simply sprinkle French words here and there in my writing like Bawer, but am fully fluent and write in that language. In fact, my latest blog post is entirely in French and critical of an article published in a Montreal newspaper. My doctoral degree is from a French university.

In any case, the comments regarding my comment, which must have angered Bawer so much that he actually responded, though in typical shoot the messenger/avoid the message fashion. The comments are interesting because they remind me of Greta’s “how dare you!” “Pretentious twit” and “punk” and “poor putz with his Ph.D.” are ad hominem and do NOT address the precise criticism I posted, nor do they indicate an iota of intelligence on the part of the person who wrote those comments. Wow, I guess Bawer is not used to receiving valid criticism! Popularity should NOT be and is NOT necessarily an indication of good or bad. MONEY, as I’m sure Bawer knows, tends to drive popularity! Indeed, I do not have the kind of funding that Frontpage has. In fact, is Frontpage funding public information? I’d be curious to know how much money it has at its disposal and from whom it comes from.

Bawer ought to get with it: rhyming was common in poetry ages ago. Backslapping is not what Frontpage should be about! And I do consult Frontpage often and do like some of the articles in it. However, there’s far too much backslapping and self-promoting in it. Bawer needs to get his facts straight: I do NOT call myself P. Maudit. P. Maudit is my cartoonist sobriquet, which I created several decades ago when I created The American Dissident, which I wanted to illustrate with critical cartoons. Has Bawer even examined any of the 100s and 100s of critical cartoons I’ve drawn? In fact, maybe I’ll do one on him. Too bad his email address is not readily available.

Finally, to dismiss an entire website as “ridiculous", or risible. Or “silly" is really quite sad, especially when that site is fully devoted to FREEDOM OF EXPRESSION. In fact, The American Dissident is perhaps the only periodical in the country that not only encourages harsh criticism against the magazine and editor, but publishes the harshest received in each and every issue, and NEVER slams the door shut on a critic. Does Frontpage do that? Certainly not! So, Bawer and Bawer-admirers, try sending something intellectually critical of the website, magazine, and/or me… and it will be published in the next issue… and you will be informed! Thanks for the joust. I do like jousting! And thank you Frontpage for permitting me to comment here.

PS: Rather than send ass-kissing poems like Bawer’s to my employers, I’ve always sent them harsh criticism, which is precisely why I never got tenure or became anointed as a professor emeritus… and I’d have it no other way! Free speech is what motivates me, NOT getting published….

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    Bruce Bawer  G. Tod Slone • 14 hours ago

    
    

    "...from whom it comes from"? I hope you're more fluent in French than you are in English.

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Mathieu Bock-Côté

Le Silence des journaleux

Le Rejet de la critique non-approuvée

From: George Slone

Sent: Thursday, May 28, 2020 1:25 PM

To: mathieu.bock-cote@quebecormedia.com

Subject: L'essai recent de M. Bock-Cote...

Salut Mathieu Bock-Cote, Chroniqueur du Journal de Montreal:

Ci-dessous est un contre-essai que j’ai ecrit vis-a-vis de ton article recent.  Publie-le dans le Journal de Montreal en tant que temoin de ton ouverture inhabituelle a la critique… 

Au plaisir,

G. Tod Slone (PhD—Université de Nantes, FR), aka P. Maudit, Founding Editor (1998)
The American Dissident, a 501c3 Nonprofit Journal of Literature, Democracy, and Dissidence
www.theamericandissident.org
wwwtheamericandissidentorg.blogspot.com   
todslone@hotmail.com
217 Commerce Rd.
Barnstable, MA 02630

Une idée qui ne mène pas le monde… des artistes et poètes

Une ministre de la culture !  C’est le visage de la fonctionnaire gouvernementale souriante de Nathalie Roy qui m’a provoqué d’écrire la critique suivante.  Qu’est-ce qui se passe quand le Gouvernement se proclame Chef de la Culture et donc contrôle la culture par la distribution de piasses ?   Et qui (quels poètes ?  quels artistes ?) ne reçoit pas inévitablement de piasses gouvernementales (subventions, bourses, invitations) ?  La distribution de l’argent sert comme véritable outil de censure.  Pourquoi les journalistes ne posent pas ces questions ?

Mon expérience comme poète invité au Québec témoigne tristement que les artistes et les poètes québécois sont dans le casier à homard gouvernemental.  Sinon, pourquoi j’ai été, au Festival de la Poésie de Trois-Rivières, le seul poète parmi les 150 invités qui osait critiquer les gardiens de la poésie (les organisateurs Bellemare et cie) et leur prohibition de débattre la poésie au Festi ?  Incroyable ce décret, n’est-ce pas ?  Et pas un seul poète rémunéré par le Gouvernement osait me joindre pour insister sur le débat et surtout sur la liberté de l’expression au Festi !  Evidemment, on ne m’a jamais réinvité !  Et Le Nouvelliste refusait de faire un petit reportage là-dessus !  

Evidemment, Il existe une machine littéraire bien subventionnée par le Gouvernement, et les poètes et les artistes n’osent pas la questionner ouvertement ni surtout la mettre au défi !  Et cela constitute le problème fondamental qui confronte la culture au Québec, le problème que les journalistes n’osent pas poser.  

Dans son article, “Soutenir les artistes, soutenir la culture,” Mathieu Bock-Côté écrit:  “Disons les choses clairement : la culture n’est pas qu’un divertissement et il ne s’agit pas d’un secteur secondaire de l’économie. Quelle que soit la manière dont on chiffre ses bénéfices, elle a une fonction vitale.  Une formule un peu usée résume bien la chose : la culture, c’est l’âme d’un peuple.”  

Mais quand l’âme d’un peuple est bien contrôlée par le Gouvernement, la culture devient l’âme du Gouvernement comme c’est le cas en Chine et au Cuba… et tristement au Québec itou !  Au Cape Cod, où j’habite, l’état de la culture est peut-être même pire qu’au Québec.  C’est la Chambre de Commerce qui contrôle la culture.  C’est le tourisme qui détermine quel art sera soutenu et quel art sera mis dans les oubliettes.  En vain sans doute, je continue depuis des lustres à critiquer ouvertement cette situation déplorable y compris le tas de poètes et artistes qui l’acceptent et y participent.  Un exemple de l’inanité qui résulte inévitablement du contrôle gouvernemental c’est le concours présent du Centre de Culture de Cape Cod—et c’est pas pantoute une blague—UPLIFTING ART FOR ELEVATOR DOORS 2020 (de l’art positif pour être affiché sur les portes de l’ascenseur).  

Bock-Côté écrit:  “À travers une chanson, un film, une série télé, on ne se contente pas de s’évader. On se découvre comme société.  En écrivant cela, je n’oublie pas la montée de l’insignifiance, je n’oublie pas notre américanisation mentale.  Mais les Québécois, sans toujours s’en rendre compte, y résistent. Ils ont besoin de se raconter eux-mêmes leur expérience du monde, sans se contenter de produits d’importation traduits.”

Mais tristement les Québécois ne luttent pas contre le contrôle de la culture par leur propre gouvernement.  Bock-Côté conclut:  “Si le secteur de la culture en venait à s’effondrer vraiment, c’est une des fonctions vitales de la société québécoise qui serait touchée.  De ce point de vue, le gouvernement du Québec doit être plus ambitieux et ne pas se contenter de demi-mesures qui lui donnent un air pâlot, faible, impuissant. Ottawa ne doit pas mettre la patte non plus sur ce domaine.”  Malheureusement ce journaliste ne semble pas capable de poser les questions que je pose icitte.  C’est le conflit éternel du boulot et la vérité crue !  Au contraire, Bock-Côté embrasse le contrôle du gouvernement du Québec sur la culture.  Or quand les politicards contrôlent la culture (la poésie, l’art), ils délimitent inévitablement la liberté de l’expression et donc la culture elle-même.  Alors, soutenir quels artistes ?  Soutenir quelle culture ?  Les artistes qui osent critiquer ouvertement la culture de l’Etat ?  C’est une question impensable pour les artistes et poètes de l’Etat !  Enfin, la subvention gouvernementale des poètes et artistes est une mauvaise idée…

Poetry Daily

Poetry Daily chose NOT to respond to the email and poem I sent in 2013.  See below.  Today, I wrote Poetry Daily again and with a different poem.  Will it respond?
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From: todslone@hotmail.com

To: staff@poems.com Subject: Poem for Word Coppers Don Selby and Diane Boller Date: Mon, 30 Dec 2013 10:04:07 -0500

Hi Don Selby and Diane Boller, Poetry Daily,
Are you both part of the Word Police, as I suspect?  If so, the following was written for you and with this email (and your response or non-response) will be published in the next issue of The American Dissident!  Vive la Liberte de parole!!!
 
Sincerely,
G. Tod Slone, Editor,
The American Dissident, a 501c3 Nonprofit Journal of Literature, Democracy, and Dissidence

Free Speech in Peril: Notes on Stage One Censorship 

Conformist journalists, academics, poets, professors, 

political hacks, librarian marms, and others 

have been replacing FUCK with the F-bomb, 

as if somehow the word were highly dangerous,

yet FUCK is as common as it gets,  as in

FUCK you, FUCK me, and FUCK it all.  

Now, was that really so FUCKING painful?   

Say FUCK in front of the wrong cop, however, like I did

and end up in jail for a whole FUCKING day, then

a month later standing before some FUCKING judge,

who, against the FUCKING prosecutor’s wishes,

of course dismisses the whole FUCKING case.

We need to rise above the easily offended

and hammer their censor protectors

by using, now and then, prohibited words

like FUCK, NIGGER, CUNT, DYKE, WETBACK,

QUEER, FAGGOT and MUTHAFUCKA, though

we ought not use them to insult the weak, 

but rather to shine a light on freedom of speech

and make the self-evident point that sticks and

FUCKING stones will break my FUCKING bones,

but FUCKING names will never FUCKING harm me.

The word FUCK is on the endangered vocabulary list,

thus I’ll say it whenever I FUCKING can to help preserve it.  

The word FUCK represents freedom,

my FUCKING freedom,  

so please, please don’t FUCK with it!

 

Poetry Society of America