A Forum for Vigorous Debate, Cornerstone of Democracy

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A FORUM FOR FREEDOM OF SPEECH AND VIGOROUS DEBATE, CORNERSTONES OF DEMOCRACY
[For the journal--guidelines, focus, etc.--go to www.theamericandissident.org. If you have questions, please contact me at todslone@hotmail.com. Comments are NOT moderated (i.e., CENSORED)!]
Encouraged censorship and self-censorship seem to have become popular in America today. Those who censor others, not just self, tend to favor the term "moderate," as opposed to "censor" and "moderation" to "censorship." But that doesn't change what they do. They still act as Little Caesars or Big Brother protectors of the thin-skinned. Democracy, however, demands a tough populace, not so easily offended. On this blog, and to buck the trend of censorship, banning, and ostracizing, comments are NEVER "moderated." Rarely (almost NEVER) do the targets of these blog entries respond in an effort to defend themselves with cogent counter-argumentation. This blog is testimony to how little academics, poets, critics, newspaper editors, cartoonists, political hacks, cultural council apparatchiks, librarians et al appreciate VIGOROUS DEBATE, cornerstone of democracy. Clearly, far too many of them could likely prosper just fine in places like communist China and Cuba or Saudi Arabia, Qatar, and Russia, not to mention Sweden, England, and Austria.
ISSUE #47 PUBLISHED MAY 2024. NOW SEEKING SUBMISSIONS FOR ISSUE #48.

More P. Maudit cartoons (and essays) at Global Free Press: http://www.globalfreepress.org

Friday, March 4, 2016

Matt Jennings

Cloaked (College-as-Usual)
“My name is Matt.  Please join me in this conversation,” notes Matt Jennings, editor of Middlebury Magazine in his brief editorial, “Uncloaked.”  Of course, I’ve heard that one before.  Sadly, the term “conversation” seems to have become code for "ideological monologue," as in the let’s-have-a-conversation-about-race monologue.  Orwellian inevitably comes to mind, as I leaf through Middlebury Magazine, alumni mag of Middlebury College.  
“Inclusion!”  It seems PC-mimicry has become well-implanted at the college, where the “conversation” will not likely include Middlebury’s terrible speech-code rating, especially regarding its Anti-Harassment/Discrimination Policy (see the Foundation for Individual Rights in Education, https://www.thefire.org/fire_speech-codes/middlebury-sexual-harassment/).  Needless to say I brought that up a while ago to the deaf ears of the editors of New England Review and Middlebury Campus (the student newspaper), as well as to the previous editor of Middlebury Magazine.  For me, it is incomprehensible why the vast majority of magazines and newspapers tend to knee-jerk reject criticism with their regard.  In each and every issue of The American Dissident, which I publish and to which the MC librarian refuses to subscribe, I include the harshest critique lodged against me and the journal.  What’s the big deal?  Well, those editors should look into the mirror and ask themselves that very question.  
Yes, “please join me in this conversation,” notes the college's interim Chief Diversity Officer Miguel Fernandez.  And yes, “what it means to be inclusive.”  Well, of course, that’s an easy question!  Inclusive means to exclude freedom of expression when those in power do not like that expression.  BTW, who is the college's Chief Democracy Officer?  Oh, it only has a Chief Diversity Officer?  I see.  Diversity (i.e., not of ideas, but of superficial skin color and ethnicity) is far more important than democracy (i.e., free speech and vigorous debate) at Middlebury!  Now, imagine the PC uproar if President Laurie Patton decided out of the blue to actually be original in academe and establish the first college Chief Democracy Officer!  Oh yeah, just a 60s pipedream.
Now, what in tarnation does Patton's “collective community ownership of inclusivity” mean?  Not even Orwell himself could have come up with such a term!  Hmm.  Yes, “we need to engage in discussion,” notes Fernandez, but only as long as that discussion excludes social-media misunderstandings of his understanding.  Hmm.  Anyhow, My name is Tod.  Please join me in this conversation.  


[Sadly, though quite predictably, nobody was willing to do that, not Fernandez, not Patton, not Jennings, and not the editors of those other rags, all of whom were sent this “let’s have a conversation addendum…]

...........................................
I'd also sent this front cover of The AD to those deaf Middlebury College ears.  Pres. Liebowitz was replaced by Patton.  Liebowitz is now Pres. at Brandeis.  Hmm.  College-as- Usual.  


Tuesday, February 23, 2016

Michael Finch

Hypocrites Always at the Helm
Below are two comments I made on FrontPage magazine's website.  Both automatically posted, one about two months ago, while the other only yesterday, which explains its title.  The day after posting, each was consciously and purposefully censored by the David Horowitz Freedom (i.e., Censorship) Foundation.

After the first censorship incident, I wrote Michael Finch, David Horowitz, and Professor Walter Williams.  Horowitz and Finch did not deign to respond.  Williams did.  Our correspondence follows the two posts.  Williams response was, of course, in support of censorship and via unoriginal vacuous semantics.

Poets like Michael Finch can be very fragile creatures.  Criticize their flaccid poesy and so many of them will fall into pieces...  

To Be Censored (Questioning and Challenging 
NOT Permitted Here When It Concerns Us)
One must wonder why poetry reviews must always be glowing.  In fact, one must wonder if reviewer Betty Mohr even possesses the intellect to wonder about that.  It is a strange conundrum of sorts.  Sadly, a negative review will likely not result in publication.

It is odd that only two reviews of poetry have appeared in recent times in FrontPage magazine and both of one book, Finding Home, by Michael Finch, president of the David Horowitz Freedom Center in Los Angeles, which sponsors FrontPage.  Egregious conflict of interest?  You bet!  And how utterly odd to state that Finch “fights every day to preserve America’s liberty, its religious freedom, and its unique culture,” for Finch favors the elimination (censorship) of comments (liberty of expression) that are not glowing with regards his writing.  Aberrant?  You bet!

“If as a people, and a nation, we can return to something lost, recovering something from our culture that has been torn, then it can only happen through art,” notes Finch in seeming total oblivion of the existence of the PC-art establishment.  Yes, Herr Finch, but only when that art does not upset the art establishment by “recovering something from our culture that has been torn,” including the freedom of expression Finch himself has helped tear.

Even more curiously irrational is the comment made by Finch hagiographer reviewer Betty Mohr  (Le Bon Travel & Culture):  “Indeed, Finch grasps the importance of art in the battle to preserve America.  Art, whether in fiction, in drama, in film, in painting, and in music conveys the force of philosophy. Those who control the field of artistic communication have had such a powerful impact on the spread of bad ideas that they have brought our country to the edge of a political and cultural abyss. The antidote for change requires that new patriots not relinquish the field of art to America’s enemies. Finch’s poetry is an important step in that right direction.”

Indeed, but how do “poignant excerpts from Finding Home” possibly constitute an “antidote for change”?  And does not the censorship (i.e., exclusion) of this very comment constitute one of those very “bad ideas that they have brought our country to the edge of a political and cultural abyss”?  Well, REASON has never been the forte of ideologues, left or right-wing.

For my censored comment—review of a review (and please don’t get bogged down in semantics and the official definition of censorship)—vis-a-vis the last glowing review, see below this comment, which is posted here:  http://wwwtheamericandissidentorg.blogspot.com/2016/02/michael-finch.html.  Also, check out the cartoon I drew regarding it, Walter Williams, and David Horowitz:  http://wwwtheamericandissidentorg.blogspot.com/search?updated-max=2015-12-23T06:28:00-08:00&max-results=7 .

Finally, I guess I must be a troll, you know, the PC-term for those trying to get unwanted critical opinions into the public arena of ideas?  So be it…
........................................

Let No Act of Censorship Go Uncriticized
FrontPage, an online right-wing journal, had rightfully been denouncing the increasing incidents of left-wing assaults on freedom of speech, especially with regards the shutting down of debate and creation of safe spaces and speech codes, on college campuses across the country from Yale to Missou to Smith to Vasser.

Hypocritically, its moderators (i.e., censors) also shut down debate.  Indeed, they refused to post my critical comment regarding a glowing review written by Mark Tapson, Shillman Journalism Fellow at the David Horowitz Freedom Center, of a book of poetry written by Michael Finch, Chief Operating Officer also at the David Horowitz Freedom Center.  The egregious hypocrisy of that act of censorship left me fully disgusted.  And not one person at the Horowitz Freedom Center would respond.

What had provoked me to comment, in the first place, was the very crux of the review, as clearly stated by the reviewer:  “But as many conservative writers such as Andrew Klavan and myself have noted for years, reclaiming America means reclaiming the culture, and that means engaging in the arts.”  Contrast that statement with the rather innocuous verse presented by the reviewer, as if somehow that verse would help in “reclaiming the culture.”  Mind-boggling!

In my initial comment, I criticized the crux statement as insufficient.  Indeed, mere “engaging in the arts” would accomplish little if anything.  What was needed was active questioning and challenging of the “arts” machine, which I’ve come to term the academic/literary established order. The poem fragments taken from FINDING HOME: POEMS IN SEARCH OF A LOST AMERICA clearly did not even remotely attempt that.  Note, for example:  

My mind remembers a soft, warm wind,
Sweet earth scent, and billows of clouds
In a wide prairie sky of youth’s eternal hope.
Where have you gone?

Now, how might those lines even remotely help the right-wing in “reclaiming the culture” in an effort to establish… its particular forms of censorship, let alone expose the lack of objectivity, egregious hypocrisy, and especially visceral knee-jerk rejection of any criticism regarding the left-wing “arts” machine?  Here’s another verse presented by Tapson:  

Years from now when the winds blow again,
When you stare at the midnight’s blue of
The setting sun, lined mountains black against
A cobalt sky, do one thing for the one who loved you:
Think of me when your eyes gaze at the wondrous sky,
Your eyes searching the heavens for one,
When the breeze blows one last time through your hair,
Do one final thing. Think of me.

Another big problem with the “arts” machine is the M.O. of egregious backslapping and self-congratulating.  In that sense, Tapson partakes in it, promoting the poetry of his admitted “friend.”  What else is new, eh?  Frank Kotter, whose comment was not censored by the moderators, sums up the inanity confronting poetry today.

I have not heard such touching and meaningful prose since Paul de Lagarde. May this also usher in a new era in our nation's consciousness just as those have who come before you.  I have ordered but am disappointed to see it is not offered in hard cover—A shame as this book will be cited in history books in centuries to come.

More often when someone like me questions and challenges the “arts” machine (i.e., the academic/literary established order), the latter will respond with proverbial deafening silence.  Imagine, for example, I had the gall recently to question and challenge the new poet laureate of Boston, Professor Danielle Legros Georges, who, as the Boston Globe headline stated, “wants to make poetry comfortable for all.”  Of course, by simply mentioning that fact here, I greatly lessen my chances of getting this essay published because it contravenes the first commandment of the “arts” machine:  thou shalt not criticize poets!  

Because I’d sent my critique to the student newspaper editors of Lesley University, Legros Georges’ employer, and only cc’d it to her, she called me “cowardly” in her response and wrote that if I really wanted debate then she was ready for it.  So, I wrote with that regard… and received no response!  Then days later, I wrote again, asking what happened to the will for debate.  And again, no response was received.  In essence, that deafening silence was the reason I’d chosen to write the student newspaper.  My long experience dealing with machine literati was deafening silence.  Sadly, my experience with student journalists had not proven much better, though a little bit.  Considering the innocuousness of the poem fragments illustrated in Tapson’s hagiography (for the entire piece, see 
http://www.frontpagemag.com/fpm/260860/finding-home-poems-search-lost-america-mark-tapson),  Michael Finch should have no problem at all getting published in “arts” machine magazines like Agni, Ploughshares, and Poetry magazine.  

Finally, Thoreau famously urged:  “Let your life be a counter friction to stop the machine.”  To that, I’d add left or right-wing machine.   And tis better to chime with Thoreau, than climb the ladder in search of vacuity, that is, fame, awards, invitations, tenure, and all the other crap serving to muzzle the truly cowardly like left-wing Legros Georges and right-wing Michael Finch… 

....................................................


From: George Slone
Sent: Tuesday, November 24, 2015 8:19 AM
To: wwilliam@gmu.edu
Subject: Your concern for liberty for your fellow man...

To Walter Williams,
If you are not the person, though I believe you are, who wrote the article on Free Speech in today's FrontPage mag, then ignore this missive.  If you are, however, then you did write:  "Most people want liberty for themselves. I want more than that. I want liberty for me and liberty for my fellow man."

BUT do you really want liberty for your fellow man?  FrontPage mag censored my comment several days ago.  It censored my liberty.  I protested that act of censorship to Horowitz and Tapson, but nobody deigned to respond, proving the right-wing is also into censorship.  If you truly cared about my freedom of speech, you would stand up and send a protest letter to Horowitz.  Why not tell him he ought to follow Jonathan Turley's policy of NOT moderating (i.e., censoring) comments.  Likely, you will not do that.  And that would answer the question about your desire of liberty for your fellow man.  The email and my censored comment figure below.  You will note the absence of threats, prohibited words, etc. in it.  


From: Walter E Williams
Sent: Saturday, December 19, 2015 9:09 AM
To: George Slone
Subject: RE: Prof Walter Williams cartooned...

One’s right to free speech does not impose an obligation that others to provide a forum for him.
Cheers.

Professor Walter E. Williams
George Mason University, Economics
4400 University Dr., MSN 3G4
Fairfax, VA  22030
http://www.walterewilliams.com

From: George Slone [mailto:todslone@hotmail.com]
Sent: Saturday, December 19, 2015 8:40 AM
To: Walter E Williams
Cc: pic@broadsideonline.com
Subject: Prof Walter Williams cartooned...

To Prof. Walter Williams,
For the new cartoon on you, see attached or wwwtheamericandissidentorg.blogspot.com .

You wrote: "Most people want liberty for themselves. I want more than that. I want liberty for me and liberty for my fellow man."


BUT do you really want liberty for your fellow man?  FrontPage mag, which publishes your essays, censored my comment several days ago.  It censored my liberty.  I protested that act of censorship to Horowitz and Tapson, but nobody deigned to respond, proving the right-wing is also into censorship.  If you truly cared about my freedom of speech, you would stand up and send a protest letter to Horowitz.  Why not tell him he ought to follow Jonathan Turley's policy of NOT moderating (i.e., censoring) comments.  Likely, you will not do that.  And that would answer the question about your desire of liberty for your fellow man.  The email and my censored comment figure below.  You will note the absence of threats, prohibited words, etc. in it.

[No further response from the Professor, who of course does NOT want liberty for me...]

Sunday, January 24, 2016

Brenda Smith-Lezama

.............................................................
Sadly, nobody at The Maneater deigned to respond to the following email.  The president of the Missouri Student Association did, however, respond.  See below...

From: George Slone
Sent: Sunday, January 24, 2016 1:35 PM
To: maneater@themaneater.com; eloutfi@themaneater.com; jherrick@themaneater.com; tblatchford@themaneater.com
Cc: mjp5f5@mail.missouri.edu; msapresident@missouri.edu; bas535@mail.missouri.edu; safp8b@mail.missouri.edu; kmhrf5@mail.missouri.edu; cltc74@mail.missouri.edu; ddwzq3@mail.missouri.edu; tte2m5@mail.missouri.edu; rkf7wb@mail.missouri.edu
Subject: Mizzou Student Association lampooned in a new P. Maudit cartoon

To Elizabeth Loutfi, Ed-in-Chief; John Richmond Herrick, Opinion Editor; Katherine Knott, Managing Editor; and Taylor Blatchford, University News Editor, The Maneater, University of Missouri Student Newspaper:  
Any independence at all from the reigning PC-mindset?  Any real appreciation for vigorous debate, cornerstone of democracy?  Any fondness for the First Amendment?  After all, you are touted as “more aggressive” and “an independent watchdog of the university.”  Hmm.  Well, likely that’s just Newspeak blather and your reality is unoriginal fear of offending the cogs of indoctrination.  You know like those on the Black Programming Committee.  Now, that’s an interesting name, since programming can be a synonym for indoctrinating.  

Anyhow, if it isn’t Newspeak, then please do respond and at least consider publishing the cartoon just posted on my blog site on Mizzou’s Student Association:  wwwtheamericandissidentorg.blogspot.com.  Come on.  Curiosity didn’t kill the cat.  PC did that!!!  :)

Thanks for your attention.


From: MU OSL MSA President
Sent: Monday, January 25, 2016 5:30 PM
To: George Slone
Subject: RE: Mizzou Student Association lampooned in a new P. Maudit cartoon

Mr. Slone,

I really just wanted to reach out and tell you thank you for thinking enough of us to make this cartoon a reality. I imagine it took a lot of time for you to put this together and your work does not go unappreciated. Please enjoy the rest of your evening.

Best,

Payton Head
University of Missouri | Student Body President
Missouri Students Association
2500 MU Student Center | Columbia, MO 65211

P. (573) 882-3383 | @MSAPresident | msa.missouri.edu



From: George Slone
Sent: Monday, January 25, 2016 5:50 PM
To: MU OSL MSA President
Subject: Re: Mizzou Student Association lampooned in a new P. Maudit cartoon

Hi Payton,
Thanks for the response.  You are the only one so far deigning to respond, though your response was robotic (i.e.,  smiley-faced everything's wonderful in Mizzoulandia).  Don't your instructors encourage you to question and challenge and fight for reason, logic, fact, and freedom?  Alas, methinks not in the least.  Ideology always trumps reason.  

G. Tod



Sunday, January 17, 2016

Comic Book Legal Defense Fund

The following dialogue de sourds was published in the last issue of The American Dissident.  Featured is Charles Brownstein, director of Comic Book Legal Defense Fund.  PM (P. Maudit) is my cartoonist sobriquet...


A PC-Peculiarity
Advocating Freedom of Speech, 

while Justifying Suppression… of Freedom of Speech
By the Editor
So anyway, the thing that I come to—I used this phrase on TV the other day— the rise of the “but brigade.” I got so sick of the goddamn but brigade.  And now the moment somebody says ‘Yes I believe in free speech, but,” I stop listening.  “I believe in free speech, but people should behave themselves.” “I believe in free speech, but we shouldn’t upset anybody.” “I believe in free speech, but let’s not go too far.”
—Salman Rushdie, regarding the Charlie Hebdo massacre

The cancellation of [Robert] Spencer’s appearance based on ALA’s silent acquiescence to outside pressure from those who seek to destroy intellectual freedom [CAIR] isn’t inconsequential, and it is more than unsettling.  This is, as Spencer has characterized it, a stealth jihad against free speech, which now claims the American Library Association among the jihadists.
—Attorney William J. Becker, Jr.

Free speech does not mean inoffensive speech only.  It means all speech, left-wing and right-wing and in-the-fuck-between… with, of course, the exception of speech that calls for violence… but violence highly LIKELY to occur as a direct result of the speech… and that excludes any heckler’s-veto violence.  Heavy constant indoctrination, however, is creating a populace that tends to disagree with this legal definition of freedom of speech. 
  Rare it was for me to engage in a free-speech fight with a free-speech advocate.  Usually, the response was either very brief, as with PEN America Executive Director Susan Nossel and National Coalition Against Censorship Executive Director Joan Bertin, or simply non-existent, as with PEN New England Executive Director Karen Wulf and New England First Amendent Center Executive Director Rosanna Cavanagh.  When such free-speech organizations are challenged, they usually prefer not to respond. After all, how can one challenge organizations devoted to free speech? Well, quite simply, one can and should when they behave hypocritically and have become politicized and/or prove incapable of accepting outside criticism (i.e., free speech).   
     Comic Book Legal Defense Fund (CBLDF) boasts to be on “the front lines of the fight for free speech.” Yet, as co-sponsor of the American Library Association’s hypocritical Banned Books Week, it sides with librarian gatekeepers, who ban books (and patrons like me). The ALA boasts to be a fervent proponent of “the freedom to access information and express ideas, even if the information and ideas might be considered unorthodox or unpopular.” So why did it cancel, at the request of CAIR, an Islamic organization, an event that was to feature Robert Spencer, a critic of Islam and such organizations (see http://www.investigativeproject.org/1101/library-association-abandons-principle-allows#)?  Evidently, the reason is because the ALA is suffering from a rather virulent strain of gross hypocrisy.  
    As an evident member of the BUT BRIGADE (see Rushdie quote above), the CBLDF ought to be called the Comic Book But Brigade Defense Fund.  Aberrantly, it refused to publish Bosch Fawstin’s cartoon, the one that won the Garland, TX Draw Muhammad contest, in its second issue of Defender, devoted to “Cartoonists under Fire.” How odd, thought Fawstin, who had been a decade-long member of CBLDF and had been literally under fire in Garland, TX.  “I'm pissed off,” he wrote.  “Bad enough I work in an industry that's dominated by gutless leftists, but even the one place that supposedly defends Free Speech doesn't give a shit about Defending Free Speech if it disagrees with it. This completely undercuts the idea of what kind of speech should be protected. To hell with them.”  The following non-fictitious dialogue was pieced together from actual email correspondance with CBLDF Executive Director Charles Brownstein, whose only response to the concerns evoked in it was that I didn’t have a right to post his evasive and un-responsive opinions.  Yet it seems that copyright law does give me that right (see, for example the  Kansas Law Review https://law.ku.edu/sites/law.drupal.ku.edu/files/docs/law_review/v55/Snow.pdf). How might one explain a purported defender of free speech, who rationalizes why he should NOT defend free speech?  That is the real question here.  Brownstein was sent the dialogue, given the chance to add or contest certain remarks.  He chose not to.  What he and the ALA should do is get the hell out of the free-speech business, since he and it evidently do not believe in it! 

P. Maudit:  Before I cartoon you guys, I’d like to know why you’ve decided to ignore cartoonist Bosch Fawstin and the near Garland, TX massacre.  
Charles Brownstein:  Our news blog covered Garland in two separate articles at the time that it occurred.  
PM: Yeah, but you didn’t mention the winner of the contest or publish the winning cartoon on your blog devoted to cartoons!  Isn’t that a bit weird?
CB: Fawstin currently appears to be seeking publicity for his cartoon addressing a controversial topic.  
PM:  Yet any cartoonist seeking publication evidently seeks publicity, which includes 100% of those cartoonists you feature on your website.  Don’t you also seek publicity with your organization and sponsorship of Banned Books Week?  And do not most free-speech issues concern “controversial” topics?  After all, non-controversial topics do not need free-speech protection.
CB:  He is not experiencing censorship by any metric, including his own, given the content of an exchange we had on Facebook that was re-run on his website.  His work is widely available, no government restriction of any kind is being placed on his work, and anyone can view it. If Fawstin's First Amendment rights were being restricted, we would certainly rise to defend them.  But they don't appear to be.  
PM:  But Fawstin's winning cartoon was censored by the New York Times, as well as other media organizations, including yours and Fox News, institutions of higher education, and public libraries across the nation.  How can you possibly believe otherwise in this era of islamophobia inanity?   
CB: Editorial outlets choosing not to publish an item is not the same as censorship. Libraries choosing not to select an item is not the same as censorship.  Censorship, as First Amendment jurisprudence illustrates, occurs when government causes the restriction of the publication or dissemination of an idea.  That is not happening in Fawstin's case.  
PM:  Sure, First Amendment jurisprudence exists, but ONLY in America.  So, why do you, for example, champion the cause of an Iranian cartoonist in Iran or that of Charlie Hebdo in France, if you are only concerned with First Amendment jurisprudence? Iran and France do not possess such jurisprudence!  In essence, what you should be concerned with (and probably are when convenient) is the dictionary definition of censorship, not simply the legal one. You ought to be concerned with the suppression, banning, restricting, proscription, interdiction, prohibition, and excluding of cartoons (and opinions) deemed objectionable on subjective moral and/or political grounds, especially by the media and academe.  Public libraries, by the way, are considered government entities.  And many of them do restrict the “dissemination of an idea.”
CB: We ran a news story about the various international cartoonists facing government censorship as the issue we published went to press.  That's not the same as championing them. 
PM: So, now it’s “government censorship” and not “First Amendment jurisprudence.”  By running a story on those foreign cartoonists, you are indeed CHAMPIONING their fight for free speech.  
CB: [Fawstin’s] work is being published, and is widely available. No government agency is restricting access to his cartoons. That some venues choose not to publish his cartoon isn't censorship, it's editorial prerogative.
PM:  A mentality of suppression (i.e., censorship) exists in the press that you seem to think is fine because it’s a matter of “editorial prerogative,” a term that ought to be added to the list of synonyms for censorship.  How about academic prerogative and librarian prerogative and Banning Books Week prerogative and CBLDF prerogative, and on and on?  
CB: Fawstin's cartoon was not the newsworthy element of the Garland, TX contest. The violence that occurred during a peaceful, albeit provocative, exercise of speech was newsworthy.  It follows that most outlets chose to focus on the violence, which is the element of public interest. 
PM: How can you possibly make such an argument? The Islamic assassins wanted to murder because of the CARTOONS! How then are the CARTOONS not newsworthy? If you can NOT understand this, clearly a desire for funding, renown, increased donations, and/or politically-correct mindset must be preventing you from doing so. 
CB:  Fawstin's First Amendment rights were never in peril. 
PM: Yet two Muslims armed with kalishnikovs and with intent to murder CLEARLY were threatening his First Amendment rights. Cartoonist Molly Norris, as you surely know, has disappeared and given up her First Amendment rights in America… because Muslims want to murder her… just as they want to murder Fawstin. It was Fawstin’s CARTOON that made those Muslims want to destroy Fawstin’s First Amendment rights! It was not his haircut or skin color, but rather his freakin’ CARTOON, not to mention his status as apostate! How to understand someone like you, who on the one hand professes to be a free speech advocate, while on the other advocating the suppression of speech such as Fawstin’s “ALBEIT PROVOCATIVE” cartoon.  
CB: Fawstin’s safety was at risk, but his rights never were.  The government placed police at the organizers' disposal to protect the First Amendment protected activity occurring at the event he was participating in. 
PM:  Clearly, real death threats serve to reduce rights, serve to provoke self-censorship, and when carried out serve to completely eliminate rights… for what free speech does a dead man possess? What rights does Molly Norris possess?  The right to go into hiding here in America.  
CB: Fawstin is clearly seeking additional publicity for his work, which is his right.
PM: Seeking publicity is a damn weak justification for the suppression of Fawstin’s cartoon (i.e., his free speech) by you and the media. Who gives a damn what he’s seeking?  Free speech is free speech!  Dismissing the speaker (cartoonist) as a publicity seeker or egotist or islamophobe or whatever other epithet you can come up with to belittle him will NOT eliminate the fact that he stands for free speech and possesses the unusual courage to continue to do so.  
CB: It is also the right of the media outlets you mention not to run that work. Simply put, there is no censorship issue here. Nobody is suppressing Fawstin's cartoon. Not running something is not the same as suppressing something.
PM: Why not try being HONEST and state outright why you did not include Fawstin in your latest issue of Defender, devoted to “cartoonists under fire”?  After all, the response is evident: Fawstin is a conservative and anti-Islam.  Moreover, the two articles written by Maren Williams posted on your site regarding the Garland, TX near massacre are clearly biased against the Garland, TX organizer Pamela Geller and Fawstin… and thus pro-Islam. 
CB:  Fawstin has the right to cartoon as he sees fit, and no one is restricting those rights, so there's nothing to cover. 
PM:  Sure, he has that right.  But what about the serious death threats he now faces?  Aren’t they affecting those rights?  Shouldn’t you be speaking out in his favor and against the Islamic ideology that seeks to eliminate his rights in America? 
CB:  [No response]
PM: Moreover, I’d be leery, rather than open wide and swallow, regarding Banned Books Week, which your organization sponsors, and the nation’s public libraries that celebrate it.  As an example, my books (and cartoons!), the poetry of those I publish, and my very person have been PERMANENTLY banned by my local public library, Sturgis Library (Barnstable, MA), which celebrates Banned Books week.  And the 25 other libraries in the Clams Library System of Cape Cod and the American Library Association don't give a damn about that, nor does the ACLU, NCAC, PEN… and, apparently, CBLDF.
CB: [No comment]
PM:  Well, we do agree on one thing: the right of the media to suppress (censor, ban, exclude, etc.) Fawstin’s cartoon. And it is also the right of the media to suppress anything else it does NOT like in accord with its political bias, right or left-wing.  What we seem to disagree on is that the media should NOT be in the business of political bias, but rather in the business of NEWS and that includes Fawstin’s newsworthy cartoon.  In essence, your organization is a sham because of its nitpicking with regards the term censorship. 
CB:  [No comment]
PM:  Contrary to your very restricted and convenient definition, EXCLUSION (i.e., excluding certain cartoons, ideas, criticism, and comments) is a definite form of censorship. The mentality of censorship is one of EXCLUSION. In essence, the politically-biased media (right or left-wing) chooses to EXCLUDE what it does not like. That is a definite form of censorship. Libraries and universities that boast INCLUSION tend to EXCLUDE what they do not like… and often that includes criticism of them. How can you, as a free-speech advocate, not denounce the egregious hypocrisy?
CB:  It’s clear that we have a difference of opinion on this matter.  I appreciate that you disagree with our efforts in this area. Such disagreement is the soul of free expression.  
PM:  The “soul of free expression” would be manifest in your willingness to publish this dialogue and the cartoon I sketched satiriziing CBLDF on your website. Will CBLDF, which is purportedly “in the business of fighting government censorship and providing news about the censorship climate,” rise to defend my First Amendment rights vis-a-vis the PERMANENT banning of my cartoons from a public institution (i.e., government)? If so, you would be unique and the first to do so.  

CB:  [No comment] 

Wednesday, January 13, 2016

Department of Creative Writing, University of California, Riverside

NO RESPONSE 

Not one response from over 20 Professors at the UNIVERSITY OF CALIFORNIA, RIVERSIDE
DEPARTMENT OF CREATIVE WRITING!  

How sad it is that out of 20 some odd university professors contacted, not one deigned to respond to my criticism.  How do such professors become such detesters of vigorous debate, one of democracy's prime cornerstones?  Clearly, they reflect the closed doors of the general Academic/Literary Established Order.  Clearly, they are part of that PRIVILEGED elite!  How sad they are and how sad it is that NOBODY from the university student newspaper would respond either.  Evidently, those 20 some odd professors have succeeded in indoctrinating the student editors.  Below is the OPEN LETTER I sent.  See also the post after it regarding one of their own...

From: George Slone
Sent: Sunday, January 3, 2016 9:46 AM
To: juan.herrera@ucr.edu; reza.aslan@ucr.edu; charmaine.craig@ucr.edu; josh.emmons@ucr.edu; stephen.erickson@ucr.edu; katie.ford@ucr.edu; nalo.hopkinson@ucr.edu; michael.jayme@ucr.edu; christopher.buckley@ucr.edu; michael.davis@ucr.edu; judy.kronenfeld@ucr.edu; eliud.martinez@ucr.edu; laila.lalami@ucr.edu; goldberry.long@ucr.edu; tom.lutz@ucr.edu; susan.straight@ucr.edu; allison.white@ucr.edu; andrew.winer@ucr.edu; maurya.simon@ucr.edu; ben.stoltzfus@ucr.edu; chuck.whitney@ucr.edu; dwight.yates@ucr.edu
Cc: editorinchief@highlandernews.org; opinions@highlandernews.org
Subject: Open Letter to the Department of Creative Writing, University of California, Riverside

Open Letter to the Department of Creative Writing, University of California, Riverside
As you know, one of your own, Juan Felipe Herrera, is now Poet Laureate of the US Library of Congress.   As you do NOT know, he was lampooned on the front cover of the latest issue of The American Dissident, a 501c3 nonprofit Journal of Literature, Democracy, and Dissidence.  You do not know this because not one library in California is willing to subscribe to the journal.  Universities like Harvard, Brown, Yale, Johns Hopkins, Brown, and a few others are subscribers. For those of you, who still have an iota of curiosity of what goes on outside the California PC-box, you can examine the front cover, as well as the editorial pertaining to it, here:  wwwtheamericandissidentorg.blogspot.com.  Below the editorial is the Open Letter to Juan Felipe Herrera I wrote in August and sent to Herrera and Michael Rios, student editor of The Highlander.  Neither deigned to respond.  Evidently, neither is a proponent of vigorous debate, one of democracy’s prime cornerstones.  Are any of you?

Why are each and everyone of you likely entirely indifferent to the fact that the Academy of American Poetry censored and banned me, a creative writer and poet, from expressing my views on its website?  Why does academe favor a smiley-faced herd professorate over staunch individuals daring to “go upright and vital, and speak the rude truth in all ways?” (Emerson)  That is an important question confronting democracy in America today.  Thankfully, I have failed as an academic teamplayer and thus do not possess titles of Endowed, Distinguished, Emeritus, Distinguished Emeritus, Laureate, or any of the other such dubious honors normally accorded those with exceptional turn-a-blind-eye ability.  BTW, the first part of that Emerson quote is “I am ashamed to think how easily we capitulate to badges and names, to large societies and dead institutions…”  Can any of you grasp what Emerson meant by that?  


Finally, might there be one of you, just one of you, who might actually encourage students in a creative writing assignment, for example, to criticize you, your department, your institution, or any of the established-order organisations from Poet Laureate to Poetry Foundation, Poets & Writers magazine, Poetry magazine, the Academy of American Poets, etc.?  Silence seems always to be the “response” of those possessing comfy sinecures, pensions, fringe benefits, titles, badges, and hefty salaries.  Sadly, it seems also to be the response of those they teach like student editor Michael Rios…