A Forum for Vigorous Debate, Cornerstone of Democracy

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A FORUM FOR FREEDOM OF SPEECH AND VIGOROUS DEBATE, CORNERSTONES OF DEMOCRACY
[For the journal--guidelines, focus, etc.--go to www.theamericandissident.org. If you have questions, please contact me at todslone@hotmail.com. Comments are NOT moderated (i.e., CENSORED)!]
Encouraged censorship and self-censorship seem to have become popular in America today. Those who censor others, not just self, tend to favor the term "moderate," as opposed to "censor" and "moderation" to "censorship." But that doesn't change what they do. They still act as Little Caesars or Big Brother protectors of the thin-skinned. Democracy, however, demands a tough populace, not so easily offended. On this blog, and to buck the trend of censorship, banning, and ostracizing, comments are NEVER "moderated." Rarely (almost NEVER) do the targets of these blog entries respond in an effort to defend themselves with cogent counter-argumentation. This blog is testimony to how little academics, poets, critics, newspaper editors, cartoonists, political hacks, cultural council apparatchiks, librarians et al appreciate VIGOROUS DEBATE, cornerstone of democracy. Clearly, far too many of them could likely prosper just fine in places like communist China and Cuba or Saudi Arabia, Qatar, and Russia, not to mention Sweden, England, and Austria.
ISSUE #47 PUBLISHED MAY 2024. NOW SEEKING SUBMISSIONS FOR ISSUE #48.

More P. Maudit cartoons (and essays) at Global Free Press: http://www.globalfreepress.org
Showing posts with label Laurence Musgrove. Show all posts
Showing posts with label Laurence Musgrove. Show all posts

Thursday, March 12, 2009

The Education of Oronte Chum or How to Feed at the Academic Trough


Censorship of anything, at any time, in any place, on whatever pretense, has always been and will always be the last resort of the boob and the bigot.
—Eugene O’Neill

He that wrestles with us strengthens our nerves, and sharpens our skill. Our antagonist is our helper. This amicable conflict with difficulty helps us to an intimate acquaintance with our object, and compels us to consider it in all its relations. It will not suffer us to be superficial.
—Edmund Burke

The cartoon above was inspired by a minor encounter with a minor academic, John Griswald, on InsideHigherEd.com, which I received via email several times per week. Upon one occasion, I was actually censored by IHE for a comment I’d made on a rather lame poem by Laurence Musgrove, associate professor of English at Saint Xavier University, in Chicago:

Syllabus
On the first page just after the required novels
And before the list of learning outcomes
I’d paste a photo of me from ‘73
Scraggly hair and wire-rimmed glasses
And then torn from my long gone journal
Some half poem or worry on the day
So they might see me and not me
Who could be their dad or worse
With these handouts and so much to read
How jealous I am I am almost crying
How much I love them.

My commentary was the following. Sure, I suppose, I could have been politer, more bourgeois in tone, more collegial, as they liked to say, but should the comment have been censored in a democracy? You decide.

“Why publish such a lame poem? Well, it is indicative of the general state of professors in higher education today, where few have the courage to openly question and challenge the various hands that feed and otherwise fatten them into submissiveness. Democracy is at stake in America today, so let's write a poem about the syllabus! For poems et al decrying the state of higher ed that Inside Higher Ed would likely never publish, see www.theamericandissident.org. Vigorous debate is the cornerstone of democracy... but not in higher ed, where speech codes, collegiality, and cutesy wit rule!”

In any case, I’d since written perhaps harsher comments, which were not censored. Perhaps my email to the editor in protest of his censorship actually served to sensitize him to the proliferation and harmful effects of censorship in Academe vis-à-vis Democracy. Apropos, in the ivory tower, the censor was not referred to as a censor, but rather as a moderator.

In actuality, my grievance was really not with Griswold, but rather with self-proclaimed tenured radical Cary Nelson, president of the established-order Association of American University Professors. Griswold had written a hagiographic piece, “Cary Nelson, Provocateur.” Thus, I challenged him on it. Also, I mentioned the incident of censorship to him. He was of course, as a pup at the InsideHigherEd trough, entirely indifferent to it and did not respond with its regard.

Was Griswold’s vignette (see www.insidehighered.com/blogs/the_education_of_oronte_churm/cary_nelson_provocateur)
an example of what “provocative” or “provocateur” had come to mean in Academe? If so, the corporate co-optation of the University must surely have become a fait accompli, instead of simply in progress. The castration of terms like “provocative” and “radical” served that co-optation well as an integral part of the rationalization process of far too many Academics.

Regarding Nelson, the question, of course, remained and, of course, was not raised: how did a radical become a tenured, bourgeois, faculty cocktail-party attending president of the established-order Association of American University Professors? Kowtowing ones way up the ladder was how it was normally done in Academe, while truth telling was the normal way straight out the freakin’ door… or rather out the window on to the ledge of chronic unemployment. Did Cary Nelson possess some secret formula to do it otherwise? If so, why hadn’t Griswald even posed the question?

Nelson’s website, Modern American Poetry, was anything but radical or even remotely “provocative,” or even at all necessary. Well, it did have a Soviet-Union looking sketch of a worker holding a sledgehammer on it (www.english.illinois.edu/maps/), but how did that make it different in substance? Nevertheless, I had to give Nelson kudos for being somewhat unusual in academe for his being somewhat open to criticism; he’d actually posted the satirical cartoon I’d done on him on his webpage (see www.cary-nelson.org/nelson/cartoon.html). Just the same, his was really but a rehash of Academe’s canon. Where was the hardcore questioning and challenging of that largely bourgeois canon? How did twisted thinking (discoursing in oxymorons, castration of vocabulary et al) become so seemingly prevalent (the norm!) in Academe? Now, that would have made a great subject for a doctoral thesis! If I hadn’t already done mine, I’d get to work on it right away.
Finally, Griswald aka Churm, scribbler of the dubious Nelson tribute, needed to ask himself how his education (i.e., the Education of Oronte Churm) had failed him so royally. How had it succeeded in blocking the natural flow of his intellect, placed it into a state of paradigmatic paralysis, where politeness and collegiality, not to mention obsequiousness, hagiography, and rampant self-vaunting, were far more pertinent than truth telling, and indeed rendered his intellect utterly incapable of raising the simple—though truth unearthing—questions and points underscored here? The quip and silence were academe’s favorite rhetorical weapons of choice for dealing with uncomfortable truth jams. Perhaps this time, Griswald would simply choose silence.
BTW, Griswald actually prefaced his Churm blog with the above quote by Edmund Burke. It was, at least for me, difficult to comprehend professor/writers like him... and so many there were! Was his simply a matter of some deeply unconscious inability to perceive reality? Clearly, Griswald was not into the "wrestling" Burke rightfully praised; he rejected it outright. For him, "our antagonist" was not our "helper" at all, but rather someone to be ignored and buried. If he really agreed with Burke, he would not have eschewed "wrestling" (i.e., vigorous debate, cornerstone of democracy) with me. Granted, he did respond, regarding this blog entry, though not in the comment area. Nevertheless, his brief email was hardly evidence at all of a desire to "wrestle": "Thank you! Where do you teach, Tod?"

Now, why did he wish to know where I taught? Did he want to contact the deans in the hope of getting me ousted for un-business-like (i.e., pro-democracy) behavior? Why else would he want to know? Again, it was difficult to understand such professor/writers.