A Forum for Vigorous Debate, Cornerstone of Democracy

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A FORUM FOR FREEDOM OF SPEECH AND VIGOROUS DEBATE, CORNERSTONES OF DEMOCRACY
[For the journal--guidelines, focus, etc.--go to www.theamericandissident.org. If you have questions, please contact me at todslone@hotmail.com. Comments are NOT moderated (i.e., CENSORED)!]
Encouraged censorship and self-censorship seem to have become popular in America today. Those who censor others, not just self, tend to favor the term "moderate," as opposed to "censor" and "moderation" to "censorship." But that doesn't change what they do. They still act as Little Caesars or Big Brother protectors of the thin-skinned. Democracy, however, demands a tough populace, not so easily offended. On this blog, and to buck the trend of censorship, banning, and ostracizing, comments are NEVER "moderated." Rarely (almost NEVER) do the targets of these blog entries respond in an effort to defend themselves with cogent counter-argumentation. This blog is testimony to how little academics, poets, critics, newspaper editors, cartoonists, political hacks, cultural council apparatchiks, librarians et al appreciate VIGOROUS DEBATE, cornerstone of democracy. Clearly, far too many of them could likely prosper just fine in places like communist China and Cuba or Saudi Arabia, Qatar, and Russia, not to mention Sweden, England, and Austria.
ISSUE #47 PUBLISHED MAY 2024. NOW SEEKING SUBMISSIONS FOR ISSUE #48.

More P. Maudit cartoons (and essays) at Global Free Press: http://www.globalfreepress.org
Showing posts with label Karen Wulf. Show all posts
Showing posts with label Karen Wulf. Show all posts

Friday, March 25, 2016

Peter Hart


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From: George Slone
Sent: Friday, March 25, 2016 5:40 PM
To: ncac@ncac.org
Cc: charles.brownstein@cbldf.org; pen@pen.org; mickey@projectcensored.org; dan@bookweb.org; info@abffe.org; bstripli@syr.edu; info@publishers.org; ftrf@ala.org; madler-kozak@nacs.org; dangelo@nacs.org; info@cbldf.org; oif@ala.org; jlarue@ala.org; dstone@ala.org; justin@nefirstamendment.org; pamelageller@gmail.com
Subject: Att: Peter Hart and NCAC hypocrisy
 
To Peter Hart, NCAC Communication Director,
A cartoon I just sketched with your regard, highlighting your bias against free speech, was just posted here:  http://wwwtheamericandissidentorg.blogspot.com/2016/03/peter-hart.html

Will you respond?  Likely not because likely you will not be able to offer a cogent counter argument to the message in the cartoon.  All you will likely have in your arsenal is ad hominem or thinly-disguised ad hominem, as in “looking to cause controversy”…  BTW, in case Joan Bertin kept it from you, my critical essay regarding NCAC’s “15 Threats to Free Speech 2015” is located here:    

On another note, though really the same note, I’ve come to conclude that far too many proponents of free speech are ideologically bound (i.e., blinded) to the extent they are not really proponents of free speech.  Karen Wulf of PEN New England is an example.  Charles Brownstein of CBLDF serves as another example.  You can read my dialogue de sourds with him here:  http://wwwtheamericandissidentorg.blogspot.com/2016/01/comic-book-legal-defense-fund.html.  Or perhaps, like Joan, you too are not curious and abhor criticism when it concerns you and your pals.  
If you are into the HATE SPEECH mantra, then why the hypocrisy and need to pretend to be into FREE SPEECH?  




Sunday, January 17, 2016

Comic Book Legal Defense Fund

The following dialogue de sourds was published in the last issue of The American Dissident.  Featured is Charles Brownstein, director of Comic Book Legal Defense Fund.  PM (P. Maudit) is my cartoonist sobriquet...


A PC-Peculiarity
Advocating Freedom of Speech, 

while Justifying Suppression… of Freedom of Speech
By the Editor
So anyway, the thing that I come to—I used this phrase on TV the other day— the rise of the “but brigade.” I got so sick of the goddamn but brigade.  And now the moment somebody says ‘Yes I believe in free speech, but,” I stop listening.  “I believe in free speech, but people should behave themselves.” “I believe in free speech, but we shouldn’t upset anybody.” “I believe in free speech, but let’s not go too far.”
—Salman Rushdie, regarding the Charlie Hebdo massacre

The cancellation of [Robert] Spencer’s appearance based on ALA’s silent acquiescence to outside pressure from those who seek to destroy intellectual freedom [CAIR] isn’t inconsequential, and it is more than unsettling.  This is, as Spencer has characterized it, a stealth jihad against free speech, which now claims the American Library Association among the jihadists.
—Attorney William J. Becker, Jr.

Free speech does not mean inoffensive speech only.  It means all speech, left-wing and right-wing and in-the-fuck-between… with, of course, the exception of speech that calls for violence… but violence highly LIKELY to occur as a direct result of the speech… and that excludes any heckler’s-veto violence.  Heavy constant indoctrination, however, is creating a populace that tends to disagree with this legal definition of freedom of speech. 
  Rare it was for me to engage in a free-speech fight with a free-speech advocate.  Usually, the response was either very brief, as with PEN America Executive Director Susan Nossel and National Coalition Against Censorship Executive Director Joan Bertin, or simply non-existent, as with PEN New England Executive Director Karen Wulf and New England First Amendent Center Executive Director Rosanna Cavanagh.  When such free-speech organizations are challenged, they usually prefer not to respond. After all, how can one challenge organizations devoted to free speech? Well, quite simply, one can and should when they behave hypocritically and have become politicized and/or prove incapable of accepting outside criticism (i.e., free speech).   
     Comic Book Legal Defense Fund (CBLDF) boasts to be on “the front lines of the fight for free speech.” Yet, as co-sponsor of the American Library Association’s hypocritical Banned Books Week, it sides with librarian gatekeepers, who ban books (and patrons like me). The ALA boasts to be a fervent proponent of “the freedom to access information and express ideas, even if the information and ideas might be considered unorthodox or unpopular.” So why did it cancel, at the request of CAIR, an Islamic organization, an event that was to feature Robert Spencer, a critic of Islam and such organizations (see http://www.investigativeproject.org/1101/library-association-abandons-principle-allows#)?  Evidently, the reason is because the ALA is suffering from a rather virulent strain of gross hypocrisy.  
    As an evident member of the BUT BRIGADE (see Rushdie quote above), the CBLDF ought to be called the Comic Book But Brigade Defense Fund.  Aberrantly, it refused to publish Bosch Fawstin’s cartoon, the one that won the Garland, TX Draw Muhammad contest, in its second issue of Defender, devoted to “Cartoonists under Fire.” How odd, thought Fawstin, who had been a decade-long member of CBLDF and had been literally under fire in Garland, TX.  “I'm pissed off,” he wrote.  “Bad enough I work in an industry that's dominated by gutless leftists, but even the one place that supposedly defends Free Speech doesn't give a shit about Defending Free Speech if it disagrees with it. This completely undercuts the idea of what kind of speech should be protected. To hell with them.”  The following non-fictitious dialogue was pieced together from actual email correspondance with CBLDF Executive Director Charles Brownstein, whose only response to the concerns evoked in it was that I didn’t have a right to post his evasive and un-responsive opinions.  Yet it seems that copyright law does give me that right (see, for example the  Kansas Law Review https://law.ku.edu/sites/law.drupal.ku.edu/files/docs/law_review/v55/Snow.pdf). How might one explain a purported defender of free speech, who rationalizes why he should NOT defend free speech?  That is the real question here.  Brownstein was sent the dialogue, given the chance to add or contest certain remarks.  He chose not to.  What he and the ALA should do is get the hell out of the free-speech business, since he and it evidently do not believe in it! 

P. Maudit:  Before I cartoon you guys, I’d like to know why you’ve decided to ignore cartoonist Bosch Fawstin and the near Garland, TX massacre.  
Charles Brownstein:  Our news blog covered Garland in two separate articles at the time that it occurred.  
PM: Yeah, but you didn’t mention the winner of the contest or publish the winning cartoon on your blog devoted to cartoons!  Isn’t that a bit weird?
CB: Fawstin currently appears to be seeking publicity for his cartoon addressing a controversial topic.  
PM:  Yet any cartoonist seeking publication evidently seeks publicity, which includes 100% of those cartoonists you feature on your website.  Don’t you also seek publicity with your organization and sponsorship of Banned Books Week?  And do not most free-speech issues concern “controversial” topics?  After all, non-controversial topics do not need free-speech protection.
CB:  He is not experiencing censorship by any metric, including his own, given the content of an exchange we had on Facebook that was re-run on his website.  His work is widely available, no government restriction of any kind is being placed on his work, and anyone can view it. If Fawstin's First Amendment rights were being restricted, we would certainly rise to defend them.  But they don't appear to be.  
PM:  But Fawstin's winning cartoon was censored by the New York Times, as well as other media organizations, including yours and Fox News, institutions of higher education, and public libraries across the nation.  How can you possibly believe otherwise in this era of islamophobia inanity?   
CB: Editorial outlets choosing not to publish an item is not the same as censorship. Libraries choosing not to select an item is not the same as censorship.  Censorship, as First Amendment jurisprudence illustrates, occurs when government causes the restriction of the publication or dissemination of an idea.  That is not happening in Fawstin's case.  
PM:  Sure, First Amendment jurisprudence exists, but ONLY in America.  So, why do you, for example, champion the cause of an Iranian cartoonist in Iran or that of Charlie Hebdo in France, if you are only concerned with First Amendment jurisprudence? Iran and France do not possess such jurisprudence!  In essence, what you should be concerned with (and probably are when convenient) is the dictionary definition of censorship, not simply the legal one. You ought to be concerned with the suppression, banning, restricting, proscription, interdiction, prohibition, and excluding of cartoons (and opinions) deemed objectionable on subjective moral and/or political grounds, especially by the media and academe.  Public libraries, by the way, are considered government entities.  And many of them do restrict the “dissemination of an idea.”
CB: We ran a news story about the various international cartoonists facing government censorship as the issue we published went to press.  That's not the same as championing them. 
PM: So, now it’s “government censorship” and not “First Amendment jurisprudence.”  By running a story on those foreign cartoonists, you are indeed CHAMPIONING their fight for free speech.  
CB: [Fawstin’s] work is being published, and is widely available. No government agency is restricting access to his cartoons. That some venues choose not to publish his cartoon isn't censorship, it's editorial prerogative.
PM:  A mentality of suppression (i.e., censorship) exists in the press that you seem to think is fine because it’s a matter of “editorial prerogative,” a term that ought to be added to the list of synonyms for censorship.  How about academic prerogative and librarian prerogative and Banning Books Week prerogative and CBLDF prerogative, and on and on?  
CB: Fawstin's cartoon was not the newsworthy element of the Garland, TX contest. The violence that occurred during a peaceful, albeit provocative, exercise of speech was newsworthy.  It follows that most outlets chose to focus on the violence, which is the element of public interest. 
PM: How can you possibly make such an argument? The Islamic assassins wanted to murder because of the CARTOONS! How then are the CARTOONS not newsworthy? If you can NOT understand this, clearly a desire for funding, renown, increased donations, and/or politically-correct mindset must be preventing you from doing so. 
CB:  Fawstin's First Amendment rights were never in peril. 
PM: Yet two Muslims armed with kalishnikovs and with intent to murder CLEARLY were threatening his First Amendment rights. Cartoonist Molly Norris, as you surely know, has disappeared and given up her First Amendment rights in America… because Muslims want to murder her… just as they want to murder Fawstin. It was Fawstin’s CARTOON that made those Muslims want to destroy Fawstin’s First Amendment rights! It was not his haircut or skin color, but rather his freakin’ CARTOON, not to mention his status as apostate! How to understand someone like you, who on the one hand professes to be a free speech advocate, while on the other advocating the suppression of speech such as Fawstin’s “ALBEIT PROVOCATIVE” cartoon.  
CB: Fawstin’s safety was at risk, but his rights never were.  The government placed police at the organizers' disposal to protect the First Amendment protected activity occurring at the event he was participating in. 
PM:  Clearly, real death threats serve to reduce rights, serve to provoke self-censorship, and when carried out serve to completely eliminate rights… for what free speech does a dead man possess? What rights does Molly Norris possess?  The right to go into hiding here in America.  
CB: Fawstin is clearly seeking additional publicity for his work, which is his right.
PM: Seeking publicity is a damn weak justification for the suppression of Fawstin’s cartoon (i.e., his free speech) by you and the media. Who gives a damn what he’s seeking?  Free speech is free speech!  Dismissing the speaker (cartoonist) as a publicity seeker or egotist or islamophobe or whatever other epithet you can come up with to belittle him will NOT eliminate the fact that he stands for free speech and possesses the unusual courage to continue to do so.  
CB: It is also the right of the media outlets you mention not to run that work. Simply put, there is no censorship issue here. Nobody is suppressing Fawstin's cartoon. Not running something is not the same as suppressing something.
PM: Why not try being HONEST and state outright why you did not include Fawstin in your latest issue of Defender, devoted to “cartoonists under fire”?  After all, the response is evident: Fawstin is a conservative and anti-Islam.  Moreover, the two articles written by Maren Williams posted on your site regarding the Garland, TX near massacre are clearly biased against the Garland, TX organizer Pamela Geller and Fawstin… and thus pro-Islam. 
CB:  Fawstin has the right to cartoon as he sees fit, and no one is restricting those rights, so there's nothing to cover. 
PM:  Sure, he has that right.  But what about the serious death threats he now faces?  Aren’t they affecting those rights?  Shouldn’t you be speaking out in his favor and against the Islamic ideology that seeks to eliminate his rights in America? 
CB:  [No response]
PM: Moreover, I’d be leery, rather than open wide and swallow, regarding Banned Books Week, which your organization sponsors, and the nation’s public libraries that celebrate it.  As an example, my books (and cartoons!), the poetry of those I publish, and my very person have been PERMANENTLY banned by my local public library, Sturgis Library (Barnstable, MA), which celebrates Banned Books week.  And the 25 other libraries in the Clams Library System of Cape Cod and the American Library Association don't give a damn about that, nor does the ACLU, NCAC, PEN… and, apparently, CBLDF.
CB: [No comment]
PM:  Well, we do agree on one thing: the right of the media to suppress (censor, ban, exclude, etc.) Fawstin’s cartoon. And it is also the right of the media to suppress anything else it does NOT like in accord with its political bias, right or left-wing.  What we seem to disagree on is that the media should NOT be in the business of political bias, but rather in the business of NEWS and that includes Fawstin’s newsworthy cartoon.  In essence, your organization is a sham because of its nitpicking with regards the term censorship. 
CB:  [No comment]
PM:  Contrary to your very restricted and convenient definition, EXCLUSION (i.e., excluding certain cartoons, ideas, criticism, and comments) is a definite form of censorship. The mentality of censorship is one of EXCLUSION. In essence, the politically-biased media (right or left-wing) chooses to EXCLUDE what it does not like. That is a definite form of censorship. Libraries and universities that boast INCLUSION tend to EXCLUDE what they do not like… and often that includes criticism of them. How can you, as a free-speech advocate, not denounce the egregious hypocrisy?
CB:  It’s clear that we have a difference of opinion on this matter.  I appreciate that you disagree with our efforts in this area. Such disagreement is the soul of free expression.  
PM:  The “soul of free expression” would be manifest in your willingness to publish this dialogue and the cartoon I sketched satiriziing CBLDF on your website. Will CBLDF, which is purportedly “in the business of fighting government censorship and providing news about the censorship climate,” rise to defend my First Amendment rights vis-a-vis the PERMANENT banning of my cartoons from a public institution (i.e., government)? If so, you would be unique and the first to do so.  

CB:  [No comment] 

Wednesday, March 11, 2015

Richard Hoffman, Karen Wulf, Helen Elaine Lee


PEN's Silence and Shame

Is it not shameful that so many academics, poets, editors, and even PEN functionaries when questioned and challenged tend to remain absolutely silent?  Are they really that high and mighty that they refuse to respond to criticism when lodged by a lowly unconnected plebe like me?  Apparently, they certainly think so.  Below are the emails I'd sent regarding the above cartoon.  Not one person addressed deigned to respond.  Sadly, such lack of response is not unusual.  Could it be that my criticism hit the tender hurt-feelings bull's eye?  Hmm.  What ever happened to vigorous debate, democracy's cornerstone, here in America?  It seems PC has succeeded in giving it a death blow.  Onwards... nonetheless!  



From: todslone@hotmail.com
To: richard_hoffman@emerson.edu
CC: pen-newengland@mit.edu; helee@mit.edu
Subject: PEN New England... corrupt to the core
Date: Wed, 11 Mar 2015 11:27:16 -0400

To Richard Hoffman, PEN NE Chair and Emerson College Prof,
You are the subject of a new P. Maudit cartoon (see http://wwwtheamericandissidentorg.blogspot.com).  Feel free to comment.  Comments on the site are never moderated (i.e., censored).  This email has been cc'd to Karen Wulf, who is also depicted.  Wulf has been irresponsive (i.e., irresponsible), which is why I direct it to you.  It has also been cc'd to Helen Elaine Lee, Professor Comparative Media Studies/Writing at MIT, who is also depicted and has also been irresponsive (i.e., irresponsible).  A separate email was sent to the "independent" (usually means dependent) student newspaper editors of The Berkeley Beacon at Emerson College, who, if they are anything like you, will likely not respond and will NOT publish the cartoon, despite my encouraging them to do so.  Below are some thoughts on PEN New England, which you will likely ignore.  For a long essay I wrote on PEN, see http://www.globalfreepress.org/sections/free-speech/3415-pen-an-ethical-consideration.  It is not laudatory, so you will also likely discard it.  

Thank you for your attention.  
Sincerely, 
G. Tod Slone, PhD (universite de Nantes, FR) aka P. Maudit,
Founding Editor (1998)
The American Dissident, a 501c3 Nonprofit Journal of Literature, Democracy, and Dissidence
217 Commerce Rd.

Barnstable, MA 02630 

PEN New England… Defending (Encouraging!) Freedom to Write Lies
A certain infantile simplicity—a vast generalizing to the point where truth is inevitably affected—is embedded in social-activist sloganeering, as in “Hands up, Don’t Shoot.”  In fact, the "Hands up, Don't Shoot" slogan, rather than truth, promoted a lie/was founded on a lie.  But most social activists tend to be wholly unconcerned with truth or rather lack thereof.  Eric Holder’s agenda-driven DOJ was, however, forced by evidence to finally admit that “Hands up, Don’t Shoot” was a lie.  But PEN New England still presented this year’s prestigious Howard Zinn Freedom to Write Award to two of the pusher  activists of that lie.  PEN seems to have clearly deviated from its original founding principle of "defending freedom of expression"… to supporting social activist lies and agendas.  It will not defend my freedom of expression, for example, because it does not form part of the latter.  The problem with PEN in general is its co-optation by the academic/literary established-order and its fawning over famous established-order writers.  Of course, many academics and writers of that established order used to be against that very order.  But money, pension, perks, job security, cowardice, and absence of principles (not ideology, but principles) brought them to the other side.  Once they were against “the man,” that power mongering liar; now they are “the man,” that power mongering liar.  And that they will never be able to understand, let alone admit…  


From: todslone@hotmail.com
To: editor@berkeleybeacon.com
CC: contact@berkeleybeacon.com; richard_hoffman@emerson.edu
Subject: An Emerson professor lampooned by P. Maudit
Date: Wed, 11 Mar 2015 11:46:55 -0400

To Ryan Catalani, Editor-in-Chief, The Berkeley Beacon, Emerson College,
One of your professors, Richard Hoffman, chair of PEN New England, is lampooned in a new P. Maudit cartoon (see wwwtheamericandissidentorg.blogspot.com).  It is not a question whether or not Hoffman is a nice fellow, but rather one of truth.  Please publish the cartoon in your newspaper, that is, if you are truly independent and also interested, as all good journalists should be, in examining the darker side of superficially shiny institutions like PEN New England, ACLUM, Mass Cultural Council, Emerson College, etc.   BTW, in Orwellian doublespeak "independent" today tends to mean "dependent."  Also, please publish the brief account below regarding PEN New England.  If you have any questions, I encourage you to hammer away.  Emerson College, BTW, rejects The American Dissident and Ralph Waldo Emerson's famous words "I am ashamed to think how easily we capitulate to badges and names, to large societies and dead institutions. Every decent and well-spoken individual affects and sways me more than is right. I ought to go upright and vital, and speak the rude truth in all ways."  
Thanks for your hopeful attention.  
Sincerely,

G. Tod Slone, PhD (universite de Nantes, FR) aka P. Maudit,
Founding Editor (1998)
The American Dissident, a 501c3 Nonprofit Journal of Literature, Democracy, and Dissidence
217 Commerce Rd.

Barnstable, MA 02630 

Friday, October 24, 2014

Suzanne Nossel and Frank Bidart


Issue #28  Fall/Winter 2014-15
EDITORIAL 
Entartete Kunst et al
This issue’s front cover features a handful of established-order cogs and is the fifth in a series, Entartete Kunst.  From the established-order point of view, clearly the cover would be dismissed as “depraved art.”  Would PEN America:  Journal for Writers & Readers, Agni, Ploughshares, Poetry magazine, Poets & Writers, Rattle, American Poet Magazine, etc. have published the cover somewhere in their pages?  Of course not!  Why not?  Fear of inconvenient truths!  Criticism against The American Dissident is published in each issue.  What’s the big deal?  In fact, I encourage it!  But not the editors of those magazines!       
     
Featured are Academy of American Poets former chancellor Frank Bidart (center) receiving PEN’s literary award for established-order poetry, Chair of PEN’s Literary Awards (Poetry Society of America’s queen bee) Alice Quinn (left), PEN Executive Director Suzanne Nossel, Poesy Judge Rowan Ricardo Phillips, Poesy Judge Peg Boyers, Poesy Judge Toi Derrricotte, and Poesy Idolater Hollywood starlet James Franco.  I’d written a long email to Nossel, who remained silent.  Then I wrote another long email to her.  She responded though rather vacuously and very briefly.  Then I wrote several more emails to her, posing questions.  She did not respond to them.  Why is PEN so un-responsive and so apathetic to the concerns of an unconnected citizen?  For the correspondence, see below.  For my two-part essay critical of PEN, see http://www.globalfreepress.org/contributors/usa/g-tod-slone?start=18 and http://www.globalfreepress.org/contributors/usa/g-tod-slone/3825-pen-an-ethical-consideration-part-ii.
  
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From: todslone@hotmail.com

To: snossel@pen.org
CC: journal@pen.org; dmoran@pen.org; arielle@pen.org; deji@pen.org; kglennbass@pen.org; editor.camelsaloon@gmail.com; sturgislibrary@comcast.net

Subject: Free Expression... or rather Expression Innocuous to the Party

Date: Sat, 2 Aug 2014 10:20:07 -0400

To Suzanne Nossel, Executive Director, PEN America:  Please allow me to pose a few questions pertinent to free expression in America: 
1. Is there a reason why PEN America is indifferent to the fact that I, a poet, was permanently banned from commenting on the Academy of American Poets website in 2007?  Is it not somewhat hypocritical to state on your website, “PEN America/ Free Expression, Literature,” while simultaneously awarding a poet, Frank Bidart, who proved entirely indifferent to my complaint of the censorship (removal!) of my free expression by the Academy of American Poets when he was one of its active chancellors?  For the transcript of my censored comments, see http://theamericandissident.org/orgs/academy_american_poets_
transcript.html. 
2. Is there a reason why PEN America is indifferent to the fact that I, a poet, was permanently banned without warning or possibility of due process from my very neighborhood library, Sturgis Library, one of the very oldest in the country?  My speech crime was one of simple written criticism regarding the library’s own written policy that “libraries should provide materials and information presenting all points of view”.  The permanent banning of my point of view and that of those published in The American Dissident prove that hypocrisy.  In fact, is there a reason why PEN New England will not even respond to my correspondence with that regard?  Does it consider me, like Sturgis Library and the Academy,  a persona non grata in America because I dare express my points of view, as opposed to some party-line, pre-approved points of view?  Could the answer to these questions simply be that some “free expression,” although protected by the First Amendment, is simply not condoned or defended by PEN America?  That of course is something for you to contemplate.  It is evident that the academic/literary established order does not approve of “free expression” that criticizes it, its icons (Bidart et al), and its firm control over literature in America.  It is also oddly evident that PEN America seems to favor awarding prizes to those attached to that anti-free-expression established-order.  Again, this is something for you to contemplate.  
Finally, why is criticism like that included in this very letter, for example, kept out, amongst others, of PEN America Journal, Poetry Magazine, and the American Library Association’s American Libraries Magazine?  [No response]

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From: todslone@hotmail.com

To: snossel@pen.org
CC: journal@pen.org; dmoran@pen.org; arielle@pen.org; deji@pen.org; kglennbass@pen.org; editor.camelsaloon@gmail.com; sturgislibrary@comcast.net

Subject: RE: Free Expression... or rather Expression Innocuous to the Party

Date: Mon, 4 Aug 2014 11:33:28 -0400

To Suzanne Nossel:  Well, I doubt you’ll respond.  After all, what could you possibly write in your defense… of apathy and bourgeois elitism?  Hopefully, you’ve not become so high and mighty that you won’t even be able to focus on anything this lowly plebe has to write here… hopefully.  Thus, I simply continue this dialogue de sourds.  Currently, I’m sketching the next front cover of The American Dissident, #28, which will feature Frank Bidart, you, and other literary elitists (Quinn et al) involved in your Literary Awards (the images of you on Google portray a NY West Side Vanity Fair cocktail-party socialite… how odd for the head of PEN America!)  Regarding the awards, you state:   “The PEN Literary Awards bring together writers, editors, and members of the literary community to celebrate the ultimate fruit of free expression: great literature.”  But what about those writers and editors NOT of the “literary community,” as you term the closed community of mostly established-order academics and their poet/writer acolytes.  How to become a member of that community?  Well, the response is obvious:  play the game of see-no-evil, hear-no-evil PC-expression-only. The “ultimate fruit of free expression,” as you term it, is certainly not academically-approved, promoted, and designated “great literature.”  The “ultimate fruit” is rather literature scorned by the elites because it dares criticize the elites.   Far more often than not, “great literature” as you term it, is a subjective—not an objective—term.  Far more often than not, that so-called “great literature” is innocuous, hardly at all threatening to the power structure, which designates it “great.”  You seem quite confused pairing “free expression” with so-called “great literature.”  Have you read The Oak and the Calf?  If you haven’t, do so!  But one would certainly expect that you have read it, considering your position.  In any case, if you recall, Solzhenitsyn’s book depicts the literary scene under the Stalinist dictatorship.  Sadly, that scene is a mirror of today’s literary scene in America.  Of course, Americans are rarely arrested for writing (three cops showed up to escort me out of the library one week after my published writing, but I was not arrested).  Instead, they are ostracized into oblivion, that is, if the established order feels offended by the writing.  Why does PEN America not focus on that?  Why does it not support the few American writers who dare criticize the academics and writers who control the literary scene in America, including the pompous chancellors of the Academy of American Poets (Bidart et al) and the one-percenters of the Poetry Foundation?  The answer of course is that PEN has become an integral part of that scene.  In essence, the scorners of free expression (academics and literati) have infiltrated and taken control of PEN America… unless, of course, it was always thus.  In essence, if that were not true, why would your publication, PEN America Journal, not even respond to, let alone publish, the highly caustic article I wrote on PEN and submitted to it (See http://www.globalfreepress.org/sections/free-speech/3415-pen-an-ethical-consideration). The following is a pertinent quote from The Oak and the Calf to back the above contention:  
The shrill, vainglorious literature of the establishment—with its dozen fat magazines, its two literary newspapers, its innumerable anthologies, its novels between hard covers, its collected works, its annual prizes, its adaptations for radio of impossibly tedious originals—I had once and for all recognized as unreal, and I did not waste my time or exasperate myself by trying to keep up with it.  I knew without looking that there could be nothing of merit in all this.  Not because no talent could emerge there—no doubt it sometimes did, but there it perished too.  For it was a barren field, that which they sowed.  I knew that in such a field nothing could grow to maturity.  When they first came to literature they had, all of them—the social novelists, the bombastic playwrights, the civic poets, and needless to say the journalists and critics—joined in an undertaking never, whatever the subject, whatever the issue, to mention the essential truth, the truth that leaps to the eye within no help from literature.  This solemn pledge to abstain from truth was called socialist realism.  Even writers of love poems, even those lyric poets who had sought sanctuary in nature or in elegant romanticism, were all fatally flawed because they dared not touch the important truths. 
Finally, unlike your journal, The American Dissident will publish the harshest criticism received because it really does believe in free expression… and vigorous debate, democracy‘s cornerstones.  
......................................................


From: snossel@PEN.org

To: todslone@hotmail.com
CC: Journal@Pen.org; dmoran@PEN.org; Arielle@PEN.org; Deji@PEN.org; kglennbass@PEN.org; editor.camelsaloon@gmail.com; sturgislibrary@comcast.net

Date: Mon, 4 Aug 2014 17:19:16 -0400

Subject: Re: Free Expression... or rather Expression Innocuous to the Party

George—I am on vacation right now. We are happy to read and absorb your comments, no matter how critical. I am sorry to hear you have found your voice stifled in certain settings and glad to know you've created your own outlet. Best wishes, Suzanne  
...............................

From: todslone@hotmail.com

To: snossel@pen.org

Subject: RE: Free Expression... or rather Expression Innocuous to the Party

Date: Tue, 5 Aug 2014 19:10:43 -0400


Hi Suzanne,

Well, your response is really a non-response.  After all, you did not respond to one point made in those two emails I sent.  What might "read and absorb" really mean?  Perhaps when you return from your vacation (how not to think of Obama), you'll respond to the various points and questions I made in those two emails.  BUT I certainly will not be holding my breath.  I've been "dealing" with PEN's deaf ears for well over a decade now, which is why it will be highlighted in the next front cover of The American Dissident.  It is likely PEN personnel are simply far too busy with their cocktail parties with rich and famous writers to be bothered contemplating any criticism regarding PEN.  Bonnes vacances a toue (accent aigu)!

Sincerely,

G. Tod

From: todslone@hotmail.com

To: snossel@pen.org
CC: fbidart@wellesley.edu; pboyers@skidmore.edu; writecen@pitt.edu; rowan.phillips@stonybrook.edu; journal@pen.org; dmoran@pen.org; arielle@pen.org; deji@pen.org; kglennbass@pen.org; pen-newengland@mit.edu; kwulf@mit.edu

Subject: Suzanne Nossel et al satirized by P. Maudit

Date: Fri, 24 Oct 2014 16:32:21 -0400
  
To Suzanne Nossel, CEO of PEN:  
Well, I expect you’re back from vacation now.  In any case, you, Frank Bidart, Peg Boyers, Toi Derricotte, Alice Quinn, James Franco, and Rowan Ricardo Phillips in the context of the PEN Literary Awards have been satirized as elitist literati on the front cover of issue #28 of The American Dissident, A Journal of Literature, Democracy, and Dissidence, which was just published and distributed.  You can examine the cover on the AD blog site here:  wwwtheamericandissidentorg.blogspot.com.  

The journal is a 501 c3 nonprofit and is unable to obtain any public funding whatsoever from the NEA, Massachusetts Cultural Council, etc., etc.  The journal incarnates an enemy of the people… in the Soviet sense.  The front-cover aquarelle is #6 in my Entartete Kunst series.  As you hopefully know, “entartete kunst” was art deemed depraved by the Nazis and thus removed from the public eye and/or destroyed.  For PC-America today, entartete kunst include any art critical of the academic/literary established order (PEN et al) and its diverse cogs, apparatchiks, and icons.  Get my drift?  

Question:  Why won’t PEN America Journal publish any criticism of PEN?  Is that not oddly perverted?  After all, isn’t PEN supposed to be devoted to FREEDOM OF EXPRESSION?  
Answer:  

Question:  Why won’t PEN New England respond to my efforts to re-obtain my civil rights and Freedom of Expression with impunity in New England?  What is wrong with Karen Wulf?   Usually, cronyism and inability to brook criticism explain such silence.  
Answer:  


Thank you for your attention and hopeful input and feedback.

...................................
From: todslone@hotmail.com
To: snossel@pen.org
CC: glenn.greenwald@theintercept.com; kwulf@mit.edu; fmarchant@suffolk.edu; editor.camelsaloon@gmail.com
Subject: PEN... not at all like Charlie Hebdo
Date: Tue, 28 Apr 2015 20:10:47 -0400

To Susan Nossel, Exec. Dir., PEN America:  
Unlike Deborah Eisenberg and other PEN dignitaries, who seem appallingly blind to the Islamic threat to freedom of speech and democracy in general, I applaud your decision to award Charlie Hebdo the Freedom of Expression Courage award.  Perhaps as someone who promotes that award, however, you should have put down your cocktail for a moment and manifested the courage to respond to the aquarelle satire (see attached) I created on PEN and sent to you.  In fact, you should have distributed it to other PEN elites.  As you know, it became the front cover of issue #28 of The American Dissident.  Was that depiction over the PEN red line of acceptable satire?  Perhaps you ought to have also asked PEN New England’s Karen Wulf why she refuses to this day to respond to my requests for help to regain my civil rights here in Barnstable County on Cape Cod.  Am I simply insufficiently PC for Wulf?  "Defending freedom of expression" is supposed to be her and your mantra!  You should have also distributed to PEN elites, rather than completely ignore, my caustic essay, “PEN:  An Ethical Consideration” (see http://www.globalfreepress.org/sections/free-speech/3415-pen-an-ethical-consideration.  And how to explain Professor Emeritus Fred Marchant on PEN New England's board of directors, who essentially banned The American Dissident from his Suffolk University Poetry Center?  Is he afraid his students might notice my satirical work on him and PEN?  What has professor emeritus come to mean today in America, if not professor conventionality and conformity, hardly at all professor temerity and individuality?  Finally, is PEN really so high and mighty as to be above criticism?  Well, uh, you actually did respond to all of my concerns back in August:  

George - I am on vacation right now. We are happy to read and absorb your comments, no matter how critical. I am sorry to hear you have found your voice stifled in certain settings and glad to know you've created your own outlet. Best wishes, Suzanne  


Yes, so sorry...

......................................
From: George Slone
Sent: Sunday, April 10, 2016 11:58 AM
To: snossel@pen.org
Cc: antonio@pen.org; arielle@pen.org; shreya@pen.org; kdkarlekar@pen.org; mmark@pen.org; laura@pen.org
Subject: PEN HYPOCRISY
 
To Susan Nossel, Exec. Dir., PEN:  
You never did get back to me after that vacation of yours almost two years ago!  Again, my question is quite simple:  how do you manage to thrive in hypocrisy?  How do organizations like PEN simultaneously boast to be free-speech advocates, while viscerally rejecting free-speech criticism with their regard?  Why will you NOT post negative criticism of PEN on PEN’s website like this email and that of the front cover of The American Dissident featuring you, PEN, and that hypocrisy?  Did you even bother to look at the cover I sent?
PEN of course is not at all alone.  NCAC, Comic Book Legal Defense Fund, ACLUM, and American Library Association, for example, share in that egregious hypocrisy.  How do the first two justify ignoring the Garland, TX near-massacre of free speech?  Well, they do not even attempt to do so!  After all, silence is the most effective weapon of hypocrites!  How does the NCAC manage to include Islamophobia hysteria, but not Islam in its “15 Threats to Free Speech 2015”?  See the essay I published with that regard here http://www.globalfreepress.org/contributors/usa/g-tod-slone/3936-15-threats-to-free-speech-2015-an-egregious-and-purposeful-omission .  Go on, check it out, or do you only do that when it’s a question of rich and famous establishment writers like Rushdie or writers in foreign jails or writer murderers and rapists in American jails?  
How do you manage to ignore HR 569, a bill that seeks to be the first anti-blasphemy law regarding Islam in America?  Over 82 Democrat congressmen are co-sponsors of it.  The front cover of the current issue of The American Dissident features the main sponsor next to three members of CAIR.  Would PEN America Journal like to publish a picture of that front cover?  Of course not!  How does PEN manage to ignore Loretta Lynch’s anti-free-speech declaration that she’d look into the possibility of prosecuting blasphemers against Islam?  Yes, that was her mind-boggling reaction to the San Bernardino Islamic massacre, as you might recall.  
Is part of PEN Free Expression Coordinator Shreya Balhara’s job to free-expression coordinate all criticism of PEN into the garbage bucket, unless of course lodged by approved PEN members?  Is part of Editor M Mark’s job to assure the absence of hardcore criticism vis-a-vis PEN in each issue of 
PEN America Journal?  Why the fear of such criticism?  In every issue of The American Dissident, the harshest criticism lodged against me and the journal is not only published, but encouraged.  What’s the big deal?  I just cannot fathom your perspective.  
Finally, I note that out of the 24 staff members listed on your site (http://www.pen.org/pen-staff-directory), only four are men.  One or two are black.  Is that called PEN diversity and inclusion or rather PEN sexism?  [No response]



Saturday, June 8, 2013

Editorial for Issue #25 of The American Dissident


Democracy?  We No Have No Democracy!

Twenty-five issues of The American Dissident have been published over the past 15 years!  So, where the hell are the trumpets, laurels, and flamin’ kudos?  Not a damn sound to be heard.  Well, obviously that’s not why I’m publishing The AD.  I enjoy putting together each issue and of course get to include a lot of my own stuff.  And often there’s too damn much of that in a given issue… and that’s because poets, writers, and artists generally just ain’t interested in sending their stuff to a mag like The AD.  As for cost, well, I have to foot about half the bill for each issue.  Subscribers, to whom I’m ever grateful, pay for the other half.  Libraries have been next to impossible to attract. When Dan Sklar was inviting me and ordering 20 copies for his students that put me over the breakeven point.  So Sklar was a boon while it lasted, and I was quite thankful.  And of course I enjoyed speaking to his students.  Each issue costs about $450.  Anyhow, let the trombones blow and the jelly rolls fly!  The grim reaper is looking at me… and I’m looking at him… especially when I’m NOT slugging down the merlot… picrate… gros rouge. 

What viscerally outrages me is everyone being so easily offended. The Bill of Rights does not guarantee citizens from being OFFENDED.  And it’s amazing how many citizens don’t give a damn about issues of freedom of speech.  “Note the general reaction to the vast majority of Wikileaks cables, which are of the lowest classification,” wrote Diana West.  “There was and is a widespread sense that We, the People, shouldn't be allowed to see this evidence of instances of lying, ineptitude and concession by our public servants. A free people, I submit, would instead feel outrage.”  Well, I feel outrage! 

            Many, perhaps even most in today’s Nanny Nation, would like to replace the First Amendment with hate-speech and anti-blasphemy legislation and thus follow the dubious example of Europe and Canada, where a citizen can actually be tried and found guilty for speaking or writing a fact, as in  the Qur’an calls for the death of all apostates.   The offended group simply has to complain to authorities. 

              Another thing that viscerally outrages me is the fine art of demonizing ones opponents, which can be especially effective in keeping ones partisans uninformed as to the corruption in the party.  I’m a liberal; anything a conservative says is horseshit!  Or I’m a conservative; anything a liberal says is bullshit.  Just listen, read, or watch us and we’ll tell you what to believe and what not to believe.  And if you want to know what happened regarding Benghazi and that infamous video, since the machine is now a liberal one, the liberal media will explain that nothing at all really happened.  It was just politicized.  What a crock!  Do they think we’re all stupid?  Perhaps…

Whenever I bump into an Obama or Hillary worshipper, I’m left dumbfounded.  I sensed Obama was a charismatic liar from day one.  Bush, well, he was a liar too, but not so charismatic.  Why are so many Americans unable to sense the obvious?  How can they be so easily taken in by fake smiles, crocodile tears, and charisma?  How can democracy possibly survive when the citizenry is so easily duped?  Likely, it cannot and will not. 

On another note, it is not always easy to tap into baggage once one obtains it.  Most seek to get rid of it.  But I choose to create from it.  The front cover of this issue resulted from one of my recent pieces of baggage, that is, Sturgis Library’s permanent trespass order against me for mere written criticism, and my inability to obtain any justice at all.  The front cover depicts real community pillars indifferent to that authoritarian denial of freedom of speech and expression.  For the record, the two seated pillars are Karen Wulf (PEN New England) and Carol Rose (ACLU of Massachusetts), both of whom would not respond.  Standing and clapping outside the ribbon on the right is Cape Cod Times Editor Paul Pronovost, who refused to print the story.  Inside the yellow ribbon from left to right are Betsy Newell (lawyer and library trustee), Ellie Claus (realtor and former president of the library trustees), Anita Walker (Massachusetts Cultural Council), Lucy Loomis (library director), Daniel Santos (trustee), Ted Lowrie (president of the library trustees), Thomas K. Lynch (town manager), and State Senator Daniel A. Wolf.  Many others of course could have been added.   Perhaps it would be difficult to find a community pillar who wasn’t apathetic.  After all, free speech exists so that citizens can question and challenge the pillars.

Vive Pussy Riot (Russian) and Femen (Ukrainien)!  How I admire those feisty women fighting for freedom of speech.  They are the direct opposites of community pillars.  German Chancellor Merkel is fighting for the freedom of the Pussy Riot members serving sentences in a gulag.  But why aren’t our female leaders fighting for them too?  What the hell is the most admired woman in America, Hillary Clinton, doing?  Lying and denying and spinning, beggaring up the ladder of power!  What else?  And what about Michelle Obama with her $10,000 inaugural dress.  Well, what else is new, right? 

Wednesday, March 6, 2013

Paul Pronovost

Scroll down for a larger version and description of those depicted.
 
 
 
Well, it is, I suppose, good to observe that those contacted (see below) are not completely brain dead or rather impervious to anything emanating from outside their safe-zone professional cocoons.  The number of "hits" regarding this post indicate a certain reluctant curiosity. 

From the Editorial for Issue #25 of The American Dissident:
"On another note, it is not always easy to tap into baggage once one obtains it.  Most seek to get rid of it.  But I choose to create from it.  The front cover of this issue resulted from one of my recent pieces of baggage, that is, Sturgis Library’s permanent trespass order against me for mere written criticism, and my inability to obtain any justice at all.  The front cover depicts real community pillars indifferent to that authoritarian denial of freedom of speech and expression.  For the record, the two seated pillars are Karen Wulf (PEN New England) and Carol Rose (ACLU of Massachusetts), both of whom would simply not respond.  Standing and clapping outside the ribbon on the right is Cape Cod Times Editor Paul Pronovost, who also refused to respond and would not print the story.  Inside the yellow ribbon from left to right are Betsy Newell (lawyer and library trustee), Ellie Claus (realtor and former president of the library trustees), Anita Walker (Massachusetts Cultural Council), Lucy Loomis (library director), Daniel Santos (trustee), Ted Lowrie (president of the library trustees), Thomas K. Lynch (town manager), and State Senator Daniel A. Wolf.  Many others of course could have been added.   Perhaps it would be difficult to find a community pillar who wasn’t apathetic.  After all, free speech exists so that citizens can question and challenge the pillars."

...................................................................
Email sent March 6, 2013


To Anita Walker, Betsy Newell, Carol Rose, Dan Santos, Ellie Claus, Karen Wulf, Lucy Loomis, Paul Pronovost, Senator Daniel A. Wolf, Ted Lowry, and Thomas K. Lynch:

You are depicted naked on the front cover of the latest issue of The American Dissident (only $9 per copy if you’d like one!). The cover image is posted here: http://wwwtheamericandissidentorg.blogspot.com/2013/03/paul-pronovost.html.

Please feel free to comment on the blogsite! The American Dissident NEVER censors comments. And vigorous debate and freedom of speech are, after all, the very cornerstones of a thriving democracy. Ah, but is it really thriving here in Barnstable, Massachusetts? Methinks NOT!!!

Thanks to the Internet, this will be part of the public record, you know, the one you'd all like to limit.


Sunday, September 30, 2012

The Banned Books Week Farce

Why Banned Books Week Ought NOT to Be Celebrated

If one were to take the celebration of Banned Books Week literally, then it would perhaps make sense.  In other words, the librarians, publishers et al would be celebrating the books, periodicals, and patrons they’ve successfully banned or shunned over the years.  The rampant hypocrisy in the very heart of the American Library Association, which seems to be the chief sponsor of the event,  as well as that of the multitude of library directors spread across the nation like the proverbial layer of stale peanut butter, clearly needs to be exposed.  The celebration seems to have become nothing more than a self-congratulatory act of backslapping.  If there were an iota of integrity in it, a place, no matter how small, would be devoted to criticism of it and of the many librarians, as well as approving poets and writers, who do in fact ban books, periodicals, and even patrons. 

Politically-correct journalist Bill Moyers and wife were named Honorary Co-Chairs of this year’s celebration, which immediately politicizes the celebration.  One must wonder how many books and periodicals published by right-wingers critical of Islam, Obama, and/or PC have been shunned by the likes of Moyers and wife.  And why appoint such a buffered and wealthy couple to be honorary co-chairs?  Why not appoint instead someone who has indeed tested librarians over the years to determine just how open, or rather closed, they really are to new books and periodicals, not to mention criticism of them? 

With that regard, Charles Willett, founding editor of Counterpoise and retired librarian, comes to mind.  At the Fifth National Conference of the Association of College and Research Libraries, he stated:  “In almost all the 45 libraries studied here, and probably hundreds and hundreds more across the country, we have failed our professional duty to seek out diverse political views. [...] These books are not expensive. Their absence from our libraries makes a mockery of ALA’s vaunted ‘freedom to read.’ But we do not even notice that we are censoring our collections. Complacently, we watch our new automated systems stuff the shelves with Henry Kissinger’s memoirs.” 

               So, why celebrate such a despicably deplorable record?  Why not instead satirize the intellectually corrupt bibliotards, philes, and snubs, as I've done regarding the ALA’s Office of Intellectual Freedom
(see http://www.theamericandissident.org/orgs/american_library_association.html )?  The OIF, by the way, remains utterly indifferent to my complaint of being permanently trespassed without warning or due process by Sturgis Library, which celebrates Banned Books Week, though not this year, according to its fascistic director Lucy Loomis?  The only response from the ALA to my complaint was from Valerie Hawkins, though not of the Office of Intellectual Freedom: 

At any rate, the policies of any local public library are set by its board of trustees. Any and all complaints as to your treatment by its employees should be taken up with the library’s trustees, as they would be the ones who would decide if there was library staff misconduct and then could take steps accordingly.

We’re in Chicago. We have no jurisdiction whatsoever over your local public library and your problems with them.

You’ll need to work this out on your own, with your own local resources and legal authorities.


Now, does Hawkins seem at all interested or concerned?  And what happens, as in my case, when the board of trustees refuses to even respond  and when one of the trustees, boyfriend of the director, Dan Santos, dismisses my criticism as “intellectual masturbation” without even examining it, if in fact he's even capable of doing so?  And how might one explain the total refusal of PEN New England (“defending freedom of expression”)  to respond to my complaints of having my freedom of expression truncated here and there in New England at several libraries, including Watertown Free Public Library, which trespassed me for three months for simply trying to get the ref librarian Ardis Francoeur to understand why she should at least consider subscribing to The American Dissident?  Calling director Karen Wulf, calling director Karen Wulf!  Sorry, nobody home.  PEN is of course a Banned Books Week sponsor.  And how might one explain Suffolk University Poetry Center’s refusal to consider subscribing to The American Dissident, a journal of literature, democracy, and dissidence?  In fact, it too would not respond, that is until the student editor I’d contacted confronted Fred Marchant, its director and former PEN New England director.  And why does the National Coalition Against Censorship refuse to respond regarding my complaint against PEN’s blatant hypocrisy?  Well, it too is listed as a main sponsor.  How does one explain the refusal of famous City Lights Bookstore to carry The American Dissident?  Perhaps because it’s been critical of Beatniks?  City Lights is of course a big promoter of Banned Books Week. 

                Could I possibly be the only one in America who’s been banned from a publicly-funded library for written criticism?  Could the periodical I publish be the only one that’s ever been banned from an entire library system like the Clams Library System of Cape Cod?  Could the flyers I attempted to distribute be the only ones ever banned from a publicly-funded library?  Now that’s highly unlikely.  But dissidents like me, who actually question and challenge celebrity dissidents like Moyers, tend to be fully ostracized by the established-order system, be it the biblio or cultural sectors. 

Finally, the ALA stipulates that “Banned Books Week brings together the entire book community—librarians, booksellers, publishers, journalists, teachers, and readers of all types—in shared support of the freedom to seek and to express ideas, even those some consider unorthodox or unpopular.”  But does it really?  Readers of all types?  Certainly not my type!  And doesn’t the commercialization of such a serious subject as censorship serve to demean it, though fill the pockets of dubious types like Moyers and ALA executives?   Help support Banned Books Week by purchasing t-shirts, buttons, and more.  Shop!”  Christ.